Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 4
... beautiful, but the ones that were sort of 'arty' were terrible.” I remember De telling me all this so well, because right at that point he said, “I don't know why you don't become a painter, Andy—you've got more ideas than anybody ...
... beautiful, but the ones that were sort of 'arty' were terrible.” I remember De telling me all this so well, because right at that point he said, “I don't know why you don't become a painter, Andy—you've got more ideas than anybody ...
Стр. 6
... we are, it's absolutely beautiful and naked, and you ought to destroy the first one and show the other.” That afternoon was an important one for me. I can't even count the number of people after that POPism: The Warhol Sixties 6.
... we are, it's absolutely beautiful and naked, and you ought to destroy the first one and show the other.” That afternoon was an important one for me. I can't even count the number of people after that POPism: The Warhol Sixties 6.
Стр. 11
... beautiful snowy day; the windows were open and the snow was blowing in. De explained to me that it had all started with Hildegarde pointing over at the Stella on the wall and sneering, “What's that?” De had told her, “It's a painting by ...
... beautiful snowy day; the windows were open and the snow was blowing in. De explained to me that it had all started with Hildegarde pointing over at the Stella on the wall and sneering, “What's that?” De had told her, “It's a painting by ...
Стр. 12
... the day came, De and his wife went down to the building on Pearl Street where Jasper and Bob Rauschenberg lived. In those days Pearl Street was so beautiful and narrow that if there was a car parked on it you POPism: The Warhol Sixties 12.
... the day came, De and his wife went down to the building on Pearl Street where Jasper and Bob Rauschenberg lived. In those days Pearl Street was so beautiful and narrow that if there was a car parked on it you POPism: The Warhol Sixties 12.
Стр. 28
... beautiful face—the first Marilyns. Henry phoned one afternoon and said, “Rauschenberg just called to ask me about silkscreening, and I told him, 'Why ask me—ask Andy.' I said I'd arrange for him to come up to your place and have a look ...
... beautiful face—the first Marilyns. Henry phoned one afternoon and said, “Rauschenberg just called to ask me about silkscreening, and I told him, 'Why ask me—ask Andy.' I said I'd arrange for him to come up to your place and have a look ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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