Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
Результаты поиска по книге
Результаты 1 – 5 из 8
Стр. 13
... who'd seen those pictures when they were first painted and had laughed, just like they'd laughed at Rauschenberg!” I've often wondered why people who could look at incredible new art and laugh at it bothered to involve themselves with ...
... who'd seen those pictures when they were first painted and had laughed, just like they'd laughed at Rauschenberg!” I've often wondered why people who could look at incredible new art and laugh at it bothered to involve themselves with ...
Стр. 15
... who'd grab each other and say things like “I'll knock your fucking teeth out” and “I'll steal your girl.” In a way, Jackson Pollock had to die the way he did, crashing his car up, and even Barnett Newman, 15 1960–1963.
... who'd grab each other and say things like “I'll knock your fucking teeth out” and “I'll steal your girl.” In a way, Jackson Pollock had to die the way he did, crashing his car up, and even Barnett Newman, 15 1960–1963.
Стр. 17
... who'd insist you play 'I Can't Give You Anything but Love, Baby' or some other songs the musicians thought were way beneath them, so you'd have to see if you could play it in some way that you wouldn't be putting yourself down too much ...
... who'd insist you play 'I Can't Give You Anything but Love, Baby' or some other songs the musicians thought were way beneath them, so you'd have to see if you could play it in some way that you wouldn't be putting yourself down too much ...
Стр. 19
... who'd know just from glancing around that one room of mine that I loved Florine Stettheimer had to be brilliant. I could see that Henry was going to be a lot of fun. (Florine Stettheimer was a wealthy primitive painter, a friend of ...
... who'd know just from glancing around that one room of mine that I loved Florine Stettheimer had to be brilliant. I could see that Henry was going to be a lot of fun. (Florine Stettheimer was a wealthy primitive painter, a friend of ...
Стр. 24
... who'd laughed at my work in the beginning. But on the other hand, he wasn't one of the people who'd told me it was great, either. We'd met in the fifties through a mutual friend who did the Bonwit Teller windows. David wrote art ...
... who'd laughed at my work in the beginning. But on the other hand, he wasn't one of the people who'd told me it was great, either. We'd met in the fifties through a mutual friend who did the Bonwit Teller windows. David wrote art ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York