Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 8
... wasn't sure if you could completely remove all the hand gesture from art and become noncommittal, anonymous. I knew that I definitely wanted to take away the commentary of the gestures—that's why I had this routine of painting with rock ...
... wasn't sure if you could completely remove all the hand gesture from art and become noncommittal, anonymous. I knew that I definitely wanted to take away the commentary of the gestures—that's why I had this routine of painting with rock ...
Стр. 9
... wasn't officially showing Lichtenstein yet—it was an informal sort of thing.) A few months later I asked Ivan how he'd come to have those first paintings of Roy's in the gallery. He said that one day he was in the gallery lecturing to ...
... wasn't officially showing Lichtenstein yet—it was an informal sort of thing.) A few months later I asked Ivan how he'd come to have those first paintings of Roy's in the gallery. He said that one day he was in the gallery lecturing to ...
Стр. 10
... wasn't locked into any strict art philosophy. Ivan managed to be “light” without being frivolous. And he was so good with words. His whole manner was like a witty aside, and people loved it. His loose, personal style of art dealing went ...
... wasn't locked into any strict art philosophy. Ivan managed to be “light” without being frivolous. And he was so good with words. His whole manner was like a witty aside, and people loved it. His loose, personal style of art dealing went ...
Стр. 12
... wasn't like some cleaning lady had seen an all-black painting and tried to scrub it clean with steel wool! De hung up the phone and said that Frank had promised to make him another one “just like it,” but he wasn't consoled, he knew ...
... wasn't like some cleaning lady had seen an all-black painting and tried to scrub it clean with steel wool! De hung up the phone and said that Frank had promised to make him another one “just like it,” but he wasn't consoled, he knew ...
Стр. 13
... wasn't a sign of his everyday life visible, except that on the walls were all his early paintings—the big American Flag, the first Targets, the first Numbers. (For me, just thinking about what that must have been like was thrilling.) “I ...
... wasn't a sign of his everyday life visible, except that on the walls were all his early paintings—the big American Flag, the first Targets, the first Numbers. (For me, just thinking about what that must have been like was thrilling.) “I ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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