Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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... things that the Abstract Expressionists tried so hard not to notice at all. One of the phenomenal things about the Pop painters is that they were already painting alike when they met. My friend Henry Geldzahler, curator of twentieth ...
... things that the Abstract Expressionists tried so hard not to notice at all. One of the phenomenal things about the Pop painters is that they were already painting alike when they met. My friend Henry Geldzahler, curator of twentieth ...
Стр. 6
... things in bunches here and there that I hadn't had a chance to sort through. At five o'clock one particular ... thing to De. I didn't have to—he knew what I wanted to know. “Well, look, Andy,” he said after staring at them for a couple ...
... things in bunches here and there that I hadn't had a chance to sort through. At five o'clock one particular ... thing to De. I didn't have to—he knew what I wanted to know. “Well, look, Andy,” he said after staring at them for a couple ...
Стр. 7
... things, though. I used to go around to all the galleries in the late fifties, usually with a good friend of mine ... thing I was doing. I met Ted later and we walked upstairs to the gallery. Ted was buying a Jasper Johns light bulb ...
... things, though. I used to go around to all the galleries in the late fifties, usually with a good friend of mine ... thing I was doing. I met Ted later and we walked upstairs to the gallery. Ted was buying a Jasper Johns light bulb ...
Стр. 9
... things in the back room at Castelli's. (Castelli wasn't officially showing Lichtenstein yet—it was an informal sort of thing.) A few months later I asked Ivan how he'd come to have those first paintings of Roy's in the gallery. He said ...
... things in the back room at Castelli's. (Castelli wasn't officially showing Lichtenstein yet—it was an informal sort of thing.) A few months later I asked Ivan how he'd come to have those first paintings of Roy's in the gallery. He said ...
Стр. 15
... things that I didn't want to change anyway, that I didn't think I should want to change. There was nothing wrong with being a commercial artist and there was nothing wrong with collecting art that you admired. Other people could change ...
... things that I didn't want to change anyway, that I didn't think I should want to change. There was nothing wrong with being a commercial artist and there was nothing wrong with collecting art that you admired. Other people could change ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York