Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
Результаты поиска по книге
Результаты 1 – 5 из 12
Стр. 9
... room racks to show to Leo Castelli. Ivan, I found out, had started working for Castelli in '59. “I was working with Martha Jackson then,” he told me, “and Michael Sonnabend came to me one day and said, 'Ivan, 9 1960–1963.
... room racks to show to Leo Castelli. Ivan, I found out, had started working for Castelli in '59. “I was working with Martha Jackson then,” he told me, “and Michael Sonnabend came to me one day and said, 'Ivan, 9 1960–1963.
Стр. 18
... started in the late fifties when they were beginning to make money and could afford country places. Right in the middle of the twentieth century, artists were still following the tradition of wanting to get out there alone in the woods ...
... started in the late fifties when they were beginning to make money and could afford country places. Right in the middle of the twentieth century, artists were still following the tradition of wanting to get out there alone in the woods ...
Стр. 19
... started going around together to all the artists' studios. They were both avid to pick up new art before it got to the galleries—they'd drop by artists' studios and lofts to catch a look at works before they were even finished. Just ...
... started going around together to all the artists' studios. They were both avid to pick up new art before it got to the galleries—they'd drop by artists' studios and lofts to catch a look at works before they were even finished. Just ...
Стр. 21
... started a new project—asking everyone I was with what they thought I should do. I still do it. That's one thing that has never changed; I hear one word, or maybe misunderstand somebody, and that puts me on to a good idea of my own. The ...
... started a new project—asking everyone I was with what they thought I should do. I still do it. That's one thing that has never changed; I hear one word, or maybe misunderstand somebody, and that puts me on to a good idea of my own. The ...
Стр. 22
... started painting money. There were times, though, when I didn't follow advice—like when I told Henry I was going to quit painting comic strips and he didn't think I should. Ivan had just shown me Lichtenstein's Ben Day dots and I ...
... started painting money. There were times, though, when I didn't follow advice—like when I told Henry I was going to quit painting comic strips and he didn't think I should. Ivan had just shown me Lichtenstein's Ben Day dots and I ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York