Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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... magazine, put it beside me, and half read an article while I painted. The works I was most satisfied with were the cold “no comment” paintings. Ivan was surprised that I hadn't heard of Lichtenstein. But he wasn't as surprised as I was ...
... magazine, put it beside me, and half read an article while I painted. The works I was most satisfied with were the cold “no comment” paintings. Ivan was surprised that I hadn't heard of Lichtenstein. But he wasn't as surprised as I was ...
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... magazine? Henry understood that, but some people had contempt for you when you asked their advice—they didn't want to know anything about how you worked, they wanted you to keep your mystique so they could adore you without being ...
... magazine? Henry understood that, but some people had contempt for you when you asked their advice—they didn't want to know anything about how you worked, they wanted you to keep your mystique so they could adore you without being ...
Стр. 24
... magazine and read that a new artist named Andy Warhol is painting soup cans. Is that you?” I asked him if he wanted to come over and see for himself if that was me. He got right on the subway in Brooklyn Heights, where he lived, and was ...
... magazine and read that a new artist named Andy Warhol is painting soup cans. Is that you?” I asked him if he wanted to come over and see for himself if that was me. He got right on the subway in Brooklyn Heights, where he lived, and was ...
Стр. 29
... magazine and newspaper illustrations and then rubbing it onto the paper—a very painstaking process. He was impressed when he saw that with a silkscreen you could get an image larger than life and use it over and over again.” What I ...
... magazine and newspaper illustrations and then rubbing it onto the paper—a very painstaking process. He was impressed when he saw that with a silkscreen you could get an image larger than life and use it over and over again.” What I ...
Стр. 41
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Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York