Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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... heard of Lichtenstein. But he wasn't as surprised as I was, finding out that someone else was working with cartoon and commercial subjects, too! I had a very good rapport with Ivan right away. He was young, he had an “up” attitude to ...
... heard of Lichtenstein. But he wasn't as surprised as I was, finding out that someone else was working with cartoon and commercial subjects, too! I had a very good rapport with Ivan right away. He was young, he had an “up” attitude to ...
Стр. 12
... heard De say that the woman with Hildegarde was actually married to a sculptor—I mean, it wasn't like some cleaning lady had seen an all-black painting and tried to scrub it clean with steel wool! De hung up the phone and said that ...
... heard De say that the woman with Hildegarde was actually married to a sculptor—I mean, it wasn't like some cleaning lady had seen an all-black painting and tried to scrub it clean with steel wool! De hung up the phone and said that ...
Стр. 13
... heard him answer the phone and tell someone, “Yes, I do mind, because I don't like his politics.” Someone had wanted to bring Adlai Stevenson. As we sat at “21” (I remember I had the National Enquirer in my lap—I was fascinated by all ...
... heard him answer the phone and tell someone, “Yes, I do mind, because I don't like his politics.” Someone had wanted to bring Adlai Stevenson. As we sat at “21” (I remember I had the National Enquirer in my lap—I was fascinated by all ...
Стр. 16
... heard that when he was about to go on “The $64,000 Question” on TV, he passed the word around that if he won, you could find him at the Cedar bar, and if he lost, he'd head straight for the Five-Spot, where he played jazz saxophone. He ...
... heard that when he was about to go on “The $64,000 Question” on TV, he passed the word around that if he won, you could find him at the Cedar bar, and if he lost, he'd head straight for the Five-Spot, where he played jazz saxophone. He ...
Стр. 18
... heard he'd insulted my soup cans. I mean, how corny. I was glad those slug-it-out routines had been retired—they weren't my style, let alone my capability. Larry had mentioned that Pollock came in from the country every Tuesday. That ...
... heard he'd insulted my soup cans. I mean, how corny. I was glad those slug-it-out routines had been retired—they weren't my style, let alone my capability. Larry had mentioned that Pollock came in from the country every Tuesday. That ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York