Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
Результаты поиска по книге
Результаты 1 – 5 из 16
Стр. 7
... going to get yourself a new pair of shoes? You've been wearing those that way all over town for a year. They're crummy and creepy—your toes are sticking out.” I enjoyed De's honesty a lot, but I didn't get new shoes—it'd taken me too ...
... going to get yourself a new pair of shoes? You've been wearing those that way all over town for a year. They're crummy and creepy—your toes are sticking out.” I enjoyed De's honesty a lot, but I didn't get new shoes—it'd taken me too ...
Стр. 14
... going back to what De had just told me about that exhibition that Jasper had made for himself in his own loft. De was such good friends with both Jasper and Bob that I figured he could probably tell me something I'd been wanting to know ...
... going back to what De had just told me about that exhibition that Jasper had made for himself in his own loft. De was such good friends with both Jasper and Bob that I figured he could probably tell me something I'd been wanting to know ...
Стр. 15
... going to care, because those were all things that I didn't want to change anyway, that I didn't think I should want to change. There was nothing wrong with being a commercial artist and there was nothing wrong with collecting art that ...
... going to care, because those were all things that I didn't want to change anyway, that I didn't think I should want to change. There was nothing wrong with being a commercial artist and there was nothing wrong with collecting art that ...
Стр. 16
... going out with a few friends. I often asked Larry Rivers, after we got to be friends, what it had really been like down there then. Larry's painting style was unique—it wasn't Abstract Expressionist and it wasn't Pop, it fell into the ...
... going out with a few friends. I often asked Larry Rivers, after we got to be friends, what it had really been like down there then. Larry's painting style was unique—it wasn't Abstract Expressionist and it wasn't Pop, it fell into the ...
Стр. 18
The Warhol Sixties Andy Warhol, Pat Hackett. great discussions going on, and there was always some guy pulling out his poem and reading it to you. It was a very heavy scene.” Larry sighed. “You wouldn't have liked it at all, Andy.” He ...
The Warhol Sixties Andy Warhol, Pat Hackett. great discussions going on, and there was always some guy pulling out his poem and reading it to you. It was a very heavy scene.” Larry sighed. “You wouldn't have liked it at all, Andy.” He ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York