Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 31
... and the large gold Marilyn. By the beginning of '63 my work area at home was a total mess. The canvases were spread out all over the living room and the ink from the silkscreens was getting on everything. I knew 31 1960–1963.
... and the large gold Marilyn. By the beginning of '63 my work area at home was a total mess. The canvases were spread out all over the living room and the ink from the silkscreens was getting on everything. I knew 31 1960–1963.
Стр. 32
The Warhol Sixties Andy Warhol, Pat Hackett. ink from the silkscreens was getting on everything. I knew I had to rent a studio to paint in. A friend named Don Schrader had come across an old firehouse on East 87th Street, a hook and ...
The Warhol Sixties Andy Warhol, Pat Hackett. ink from the silkscreens was getting on everything. I knew I had to rent a studio to paint in. A friend named Don Schrader had come across an old firehouse on East 87th Street, a hook and ...
Стр. 34
... getting the Elvises and the Liz Taylor silkscreens ready to ship out to California. One night that summer there was a terrible thunderstorm and when I came in the next morning, the Elvises were sopping wet—I had to do them all over ...
... getting the Elvises and the Liz Taylor silkscreens ready to ship out to California. One night that summer there was a terrible thunderstorm and when I came in the next morning, the Elvises were sopping wet—I had to do them all over ...
Стр. 35
... getting curtain lace at Bloomingdale's and tucking it up his sleeves and everybody would be asking him where he got the “great shirt” because they'd never seen anything like it. He made us aware of the new men's fashions—the short ...
... getting curtain lace at Bloomingdale's and tucking it up his sleeves and everybody would be asking him where he got the “great shirt” because they'd never seen anything like it. He made us aware of the new men's fashions—the short ...
Стр. 40
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Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York