Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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... -15-603111-0 (pbk.) ISBN-10: 0-15-603111-6 (pbk.) Printed in the United States of America Text set in AGaramond Designed by Cathy Riggs a c e g i k j h f d b ACKNOWLEDGMENT Because Steven M. L. Aronson is a great friend, Copyright.
... -15-603111-0 (pbk.) ISBN-10: 0-15-603111-6 (pbk.) Printed in the United States of America Text set in AGaramond Designed by Cathy Riggs a c e g i k j h f d b ACKNOWLEDGMENT Because Steven M. L. Aronson is a great friend, Copyright.
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... friends; if De didn't like you, he couldn't be bothered. De was the first person I know of to see commercial art as real art and real art as commercial art, and he made the whole New York art world see it that way, too. In the fifties ...
... friends; if De didn't like you, he couldn't be bothered. De was the first person I know of to see commercial art as real art and real art as commercial art, and he made the whole New York art world see it that way, too. In the fifties ...
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... friends.' I said, 'I'll do anything for lunch.' And it was the Carlyle, which I'd never been to, with very thick tablecloths and napkins, and standoffish, slightly disdainful waiters, and I'll do anything for a lunch like that, so I ...
... friends.' I said, 'I'll do anything for lunch.' And it was the Carlyle, which I'd never been to, with very thick tablecloths and napkins, and standoffish, slightly disdainful waiters, and I'll do anything for a lunch like that, so I ...
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... friend of hers who lived down the street, “Get out! I never want to see you again!” I couldn't figure out what was going on, because he and Hildegarde were very good friends, so I just walked on into the apartment as they walked on out ...
... friend of hers who lived down the street, “Get out! I never want to see you again!” I couldn't figure out what was going on, because he and Hildegarde were very good friends, so I just walked on into the apartment as they walked on out ...
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... friend who was an artist whose work you just couldn't respect: “You have to stop being friends with them, because it's too hard to look at their work and think, 'yuk.'” So everyone that De was friends with he respected. At a party of ...
... friend who was an artist whose work you just couldn't respect: “You have to stop being friends with them, because it's too hard to look at their work and think, 'yuk.'” So everyone that De was friends with he respected. At a party of ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York