Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
Результаты поиска по книге
Результаты 1 – 5 из 11
Стр. 7
... called up very excited to say he'd just seen a painting at the Leo Castelli Gallery that looked like a comic book and that I should go right over there and have a look myself because it was the same sort of thing I was doing. I met Ted ...
... called up very excited to say he'd just seen a painting at the Leo Castelli Gallery that looked like a comic book and that I should go right over there and have a look myself because it was the same sort of thing I was doing. I met Ted ...
Стр. 12
... called De up and very formally invited him to dinner “a week from Wednesday.” De and his wife at the time—I think it was his third—were on the kind of terms with Jasper where they'd call each other up and say what're you doing tonight ...
... called De up and very formally invited him to dinner “a week from Wednesday.” De and his wife at the time—I think it was his third—were on the kind of terms with Jasper where they'd call each other up and say what're you doing tonight ...
Стр. 14
... called A Thousand New York Names and Where to Drop Them. But if you wanted to be considered a “serious” artist, you weren't supposed to have anything to do with commercial art. De was the only person I knew then who could see past those ...
... called A Thousand New York Names and Where to Drop Them. But if you wanted to be considered a “serious” artist, you weren't supposed to have anything to do with commercial art. De was the only person I knew then who could see past those ...
Стр. 24
... called up and said, “I just picked up a magazine and read that a new artist named Andy Warhol is painting soup cans. Is that you?” I asked him if he wanted to come over and see for himself if that was me. He got right on the subway in ...
... called up and said, “I just picked up a magazine and read that a new artist named Andy Warhol is painting soup cans. Is that you?” I asked him if he wanted to come over and see for himself if that was me. He got right on the subway in ...
Стр. 28
... called to ask me about silkscreening, and I told him, 'Why ask me—ask Andy.' I said I'd arrange for him to come up to your place and have a look around.” Henry came up with Rauschenberg that same evening. The gallery owners Ileana and ...
... called to ask me about silkscreening, and I told him, 'Why ask me—ask Andy.' I said I'd arrange for him to come up to your place and have a look around.” Henry came up with Rauschenberg that same evening. The gallery owners Ileana and ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York