Popism: The Warhol SixtiesHarperCollins, 3 февр. 2015 г. - Всего страниц: 418 Anecdotal, funny, frank, POPism is Warhol's personal view of the Pop phenomenon in New York in the 1960s. A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-garde. In the detached, back-fence gossip style he was famous for, Warhol tells all in POPism—the ultimate inside story of a decade of cultural revolution. |
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Стр. 30
... Avenue by then, but it had once occupied the most beautiful space in New York—on Seventh Avenue and 58th Street, right off Central Park South. It had been an actual stable where rich people kept their horses, and in the spring when the ...
... Avenue by then, but it had once occupied the most beautiful space in New York—on Seventh Avenue and 58th Street, right off Central Park South. It had been an actual stable where rich people kept their horses, and in the spring when the ...
Стр. 36
... Avenue and 8th Street was Flatbush Avenue, which was divided mostly between the collegiate-looking kids and the “hitters.” And then over on Kings Highway were the kids who lived with their parents and went to high school in Brooklyn and ...
... Avenue and 8th Street was Flatbush Avenue, which was divided mostly between the collegiate-looking kids and the “hitters.” And then over on Kings Highway were the kids who lived with their parents and went to high school in Brooklyn and ...
Стр. 37
... Avenue South and 29th Street, across from the Belmore Cafeteria where the cabbies hung out day and night. And day and night there were screenings going on at the Coop. Jonas actually lived there, in one of the corners: he once told me ...
... Avenue South and 29th Street, across from the Belmore Cafeteria where the cabbies hung out day and night. And day and night there were screenings going on at the Coop. Jonas actually lived there, in one of the corners: he once told me ...
Содержание
1964 | 85 |
Photo Insert | 117 |
1965 | 119 |
1966 | 177 |
1967 | 253 |
19681969 | 319 |
Postscript | 377 |
Index | 379 |
Back Cover | 393 |
Spine | 394 |
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afternoon amphetamine Andy Warhol artist asked Avenue Beatles beautiful Billy boys Brigid called Candy Candy Darling Chelsea Girls clothes couldn’t crazy dance David drag queens dress drugs Dylan Edie Eric everything factory foto film floor Fred Freddy Freddy Herko friends gallery gave Gerard getting going gotten hair happened he’d heard Henry Henry Geldzahler Hollywood Ivan Jackie John Cale Jonas Judy kids knew later laughing Lester living looked loved magazine Mario Montez Max’s never Nico night Ondine painting party Paul Paul Morrissey picked play Pop Art scene screaming screen she’d shooting shot silver sitting sixties someone sort star started stayed Street summer superstars Susan talk tape Taylor tell Theater there’s they’d things thought told took trying Velvet Underground Velvets Village Viva walked wanted wasn’t watching who’d York