A Manner of Speaking: For Effective CommunicationPutnam, 1961 - Всего страниц: 362 |
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Стр. 48
... relatively close together . Each molecule tends to fall to the earth because of its own weight and the weight of ... relatively close together ; and in the rarefied or low - pressure area behind , the air molecules are forced relatively ...
... relatively close together . Each molecule tends to fall to the earth because of its own weight and the weight of ... relatively close together ; and in the rarefied or low - pressure area behind , the air molecules are forced relatively ...
Стр. 57
... relatively loud , while the other sounds produced by vibrating segments of the string are relatively weak . The loud sound has a relatively low pitch , which we call the funda- mental pitch . The weak sounds , which we call overtones ...
... relatively loud , while the other sounds produced by vibrating segments of the string are relatively weak . The loud sound has a relatively low pitch , which we call the funda- mental pitch . The weak sounds , which we call overtones ...
Стр. 75
... relatively shallow breath- ing habits and relatively weak breath support . Consequently , most people who wish to develop strong breath support for singing or for any relatively strong type of public speaking will need to strengthen the ...
... relatively shallow breath- ing habits and relatively weak breath support . Consequently , most people who wish to develop strong breath support for singing or for any relatively strong type of public speaking will need to strengthen the ...
Содержание
The Eating and Drinking Mechanism | 73 |
Vocal Variations While Speaking | 81 |
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
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Часто встречающиеся слова и выражения
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections kind larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words