A Manner of Speaking: For Effective CommunicationPutnam, 1961 - Всего страниц: 362 |
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Стр. 160
... actors are much more easily recognized than are others because their normal intonation patterns are more uncommon or individualistic than are the patterns of others . How far an actor or interpreter should go in attempting to disguise ...
... actors are much more easily recognized than are others because their normal intonation patterns are more uncommon or individualistic than are the patterns of others . How far an actor or interpreter should go in attempting to disguise ...
Стр. 277
... Acting and Speech Personality The kind of role - playing done by an actor is somewhat different from that done by a public speaker . The actor repre- sents a stage character ; consequently , he does not attempt to adapt his speech ...
... Acting and Speech Personality The kind of role - playing done by an actor is somewhat different from that done by a public speaker . The actor repre- sents a stage character ; consequently , he does not attempt to adapt his speech ...
Стр. 291
... actor or oral interpreter might need a somewhat wider vocal pitch range than that which might seem adequate to a speaker who must express only his own thoughts and feelings in a manner governed by his own speech personality . An actor ...
... actor or oral interpreter might need a somewhat wider vocal pitch range than that which might seem adequate to a speaker who must express only his own thoughts and feelings in a manner governed by his own speech personality . An actor ...
Содержание
The Eating and Drinking Mechanism | 73 |
Vocal Variations While Speaking | 81 |
THE STRENGTH AND BASIC QUALITY OF THE VOICE | 88 |
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Часто встречающиеся слова и выражения
accent actor adjustment air molecules amplitude articulation attempt attitudes audience auditory breath pressure cavity cavity resonators changes communication consonant sounds cultured degree develop dictionary diphthong ear training Edna Ferber effective eliminate emotional enunciation example force emphasis frequency Fricative Consonant glottis Gunga Din habits of vocalization hear improve indicated inflections kind larynx listeners loudness manner of speaking means Method mouth muscles muscular nasal nasal cavities normal one's pauses physical Practice reading pronunciation quality of voice reading the following recognized relatively resonator result rhythm sense sentences skill social inhibitions soft palate sound wave speaker speech intonation pattern speech materials speech personality speech situation speech sounds spelling spontaneous stage fright standard substitute syllables symbols thee thoughts and feelings tion tonal expression tongue usually uttered variations verbal vibrating vocal cords vocal instrument vocal quality vocal tones voice quality vowel sounds W. S. Gilbert William Shakespeare words