Perspectives by Incongruity, Том 2Indiana University Press, 1964 - Всего страниц: 200 |
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Стр. 36
... experience were good , true , and beautiful in proportion as they exemplified the pure form or idea behind them , Physical , or sensuous beauty , is valuable in so far as it gives us glimpses of the divine beauty , the original form ...
... experience were good , true , and beautiful in proportion as they exemplified the pure form or idea behind them , Physical , or sensuous beauty , is valuable in so far as it gives us glimpses of the divine beauty , the original form ...
Стр. 38
... experiences strongly marked by the feeling of depres- sion , his mind may summon details from this experience to symbolize his depression . If he fears financial ruin , his depression may very reasonably seize upon the cluster of facts ...
... experiences strongly marked by the feeling of depres- sion , his mind may summon details from this experience to symbolize his depression . If he fears financial ruin , his depression may very reasonably seize upon the cluster of facts ...
Стр. 28
... experience so pronounced as to close him to the authority of other patterns of experience . The thoroughness of the artist's attack can " wear down " the reader until he accepts the artist's interpretation , the pattern of experience ...
... experience so pronounced as to close him to the authority of other patterns of experience . The thoroughness of the artist's attack can " wear down " the reader until he accepts the artist's interpretation , the pattern of experience ...
Содержание
The Excursion | 17 |
The Poetic Process | 34 |
From Preface to CounterStatement first edition | 50 |
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altar analysis appeal Aristotle Arjk artist Aryan aspect attitude audience autoeroticism become burlesque Caesar Cassio character chiasmus Cinna consider conversion criticism Democritus Desdemona dialectical doctrine drama effect eloquence emotion esthetic eyes fact fall feel frame gashouse gang glory Hamlet Heaven Hence Hitler human I. A. Richards Iago Iago's idea ideal imagery imagine ingredients insofar instance interpretation Kenneth Burke kind literary living logic logological look magic matter Matthew Arnold means ment mind motives nature one's Othello pattern of experience perfect philosophy piety play plot poem poet poetic poetry possible principle psychology psychosis purely rational reader reference require ritual romanticism scene scientific sense Shakespeare situation social stanza Stendhal strategy stressing structure suggest symbolic theme things thou thought tion tragedy tragic transvaluation of values Treep truth turn Wawl whereby word writing