Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... poems , comes from France and has " Album buvard . " ( Blotter - album ) stamped on the cover.38 It has pockets in the back for correspondence , printed French poems in the front , and blank blotting pages in the middle , on which ...
... poems contained in Khvoshchinskaia's two notebooks , as well as whatever other notebooks can be found . A comparison of twenty - five of the published poems with their au- tograph versions shows that only two ( “ Uzh vecher " and " Ne ...
... poem no . 1 , RGALI ] ) is a similar male - voiced meditation on the impor- tance of the eternal . Pavlova wrote three cross - gendered poems : " Strannik ” ( The wanderer , 1843 ) , " Vezde i vsegda " ( Everywhere and always , 1846 ) ...
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Social Conditions | 21 |
Literary Conventions | 38 |
Gender and Genre 57 8888888 | 57 |
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