Reinventing Romantic Poetry: Russian Women Poets of the Mid-Nineteenth CenturyUniversity of Wisconsin Press, 2004 - Всего страниц: 306 Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. |
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... genre " ( E. O. Hirsch quoted in Gerhart , Genre Choices , Gender Ques- tions , 16 ) ; " genres underlie , motivate and organize all literary discourse " ( Curran , Poetic Form and British Romanticism , 5 ) . Because literary genre is ...
... genre and theme are in- terrelated.2 Fowler's concept of genre as a communication system has been ex- tended in recent scholarship that analyzes the ideology implicit in var- ious genres , along with its effect on writers and readers.3 ...
... genre include Ann Radcliffe's Mysteries of Udolpho ( 1794 ) and Mary Shelley's Frankenstein ( 1816 ) . On the Gothic as a genre for women's stories , see Frances Restuccia , “ Female Gothic Writing : Under Cover to Alice , " Genre 18 ...
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Social Conditions | 21 |
Literary Conventions | 38 |
Gender and Genre 57 8888888 | 57 |
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