The Artistry of Shakespeare's ProseMethuen, 1968 - Всего страниц: 452 |
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Стр. 42
... syntax ( although it only gives separate examples , and does not discuss them in their dramatic context ) is extremely well done : the subject is definitively handled , and Mr Barish should be required reading . However , I have some ...
... syntax ( although it only gives separate examples , and does not discuss them in their dramatic context ) is extremely well done : the subject is definitively handled , and Mr Barish should be required reading . However , I have some ...
Стр. 92
... syntax are used to create a massive expanding irony : 2 Thou art so fat - witted with drinking of old sack , and unbuttoning thee after supper , and sleeping upon benches after noon , that thou hast forgotten to demand that truly which ...
... syntax are used to create a massive expanding irony : 2 Thou art so fat - witted with drinking of old sack , and unbuttoning thee after supper , and sleeping upon benches after noon , that thou hast forgotten to demand that truly which ...
Стр. 297
... syntax continues its decline since Twelfth Night to- wards more realistic conversational syntax ) , he does not excel in repartee , and Helena easily outwits him on the second meanings of being born under Mars - the wars have kept him ...
... syntax continues its decline since Twelfth Night to- wards more realistic conversational syntax ) , he does not excel in repartee , and Helena easily outwits him on the second meanings of being born under Mars - the wars have kept him ...
Содержание
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Авторские права | |
Не показаны другие разделы: 6
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words