The Artistry of Shakespeare's ProseMethuen, 1968 - Всего страниц: 452 |
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Стр. 229
... Toby adds an equally rich - sounding word also involving a trans- ference of senses : ' A contagious breath ' . This is already ridiculous , but Andrew approves of it : ' Very sweet , and contagious , i ' faith ' , and Toby's final ...
... Toby adds an equally rich - sounding word also involving a trans- ference of senses : ' A contagious breath ' . This is already ridiculous , but Andrew approves of it : ' Very sweet , and contagious , i ' faith ' , and Toby's final ...
Стр. 230
... Toby , both to his face : ' Why dost thou not go to church in a galliard , and come home in a coranto ? My very walk should be a jig . I would not so much as make water but in a sink - a - pace ' ( I , iii ) , and in kindling him to the ...
... Toby , both to his face : ' Why dost thou not go to church in a galliard , and come home in a coranto ? My very walk should be a jig . I would not so much as make water but in a sink - a - pace ' ( I , iii ) , and in kindling him to the ...
Стр. 233
... Toby - Seven of my people with an obedient start , make out for him , I frown the while , and ... - and so on : the ... Toby's long - suppressed abuse expresses what we would like to do - ' And does not Toby take you a blow o ' the lips ...
... Toby - Seven of my people with an obedient start , make out for him , I frown the while , and ... - and so on : the ... Toby's long - suppressed abuse expresses what we would like to do - ' And does not Toby take you a blow o ' the lips ...
Содержание
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Авторские права | |
Не показаны другие разделы: 6
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words