The Artistry of Shakespeare's ProseMethuen, 1968 - Всего страниц: 452 |
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Стр. 372
... Timon and his followers ( I , i ; in the first banquet scene ( I , ii ) Apemantus ' comments are uttered aside except for the last few lines to Timon ) ; Apemantus and his Fool versus the servants of Timon's creditors ( II , ii ) ; and ...
... Timon and his followers ( I , i ; in the first banquet scene ( I , ii ) Apemantus ' comments are uttered aside except for the last few lines to Timon ) ; Apemantus and his Fool versus the servants of Timon's creditors ( II , ii ) ; and ...
Стр. 375
... Timon when his money disappears are given a smooth insidious prose style , full of eddies around the point , a euphemistic syntax against which the integrity and plainness of the good servants stands out like white on black ( III , i ...
... Timon when his money disappears are given a smooth insidious prose style , full of eddies around the point , a euphemistic syntax against which the integrity and plainness of the good servants stands out like white on black ( III , i ...
Стр. 376
... Timon is given an economical mock both of it : ' Excellent workman , thou canst not paint a man so bad as is thyself , ' and of the Poet's similar falseness : ' Must thou needs stand for a villain in thine own work ? Wilt thou whip ...
... Timon is given an economical mock both of it : ' Excellent workman , thou canst not paint a man so bad as is thyself , ' and of the Poet's similar falseness : ' Must thou needs stand for a villain in thine own work ? Wilt thou whip ...
Содержание
Shakespeares Use of Prose I | 1 |
A Critical Method | 19 |
From Clown to Character | 52 |
Авторские права | |
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abuse action antimetabole Apemantus applied argument Armado attitude Autolycus bawdy Beatrice begins Benedick Bertram Cassio character Claudio clauses clown comedy comic contrast Coriolanus Cressida deflating detail device disguise Dogberry dramatic Duke effect Elizabethan emotional epistrophe equivocation Euphuism Falstaff figure final fool give given Gobbo grotesque Hal's Hamlet hath honour humour Iago Iago's imagery images ironic isocolon King lady Lafeu language Lear logic lord Love's Labour's Lost Lucio ludicrous madness malapropism Malvolio meaning metaphor Mistress mock mockery mood nature Olivia Othello Pandarus parallel Parolles pattern piece play plot Polonius Pompey Prince prose puns repartee repetition rhetorical structure Roderigo Romance Rosalind scene seems seen serious servant Shake Shakespeare Shylock significant situation soliloquy speak specious speech stage style stylistic syllogism symmetries syntax thee Thersites thou Timon Toby Touchstone tragedy trap Troilus Troilus and Cressida Twelfth Night verse witty words