Theatre, Theory, Theatre: The Major Critical Texts from Aristotle and Zeami to Soyinka and HavelDaniel Charles Gerould Hal Leonard Corporation, 2000 - Всего страниц: 492 The major critical texts from Aristotle and Zeami to Syinka and Havel. The best available collection of theoretical writing on the theatre from both the Eastern and Western traditions. |
Содержание
II | 11 |
III | 43 |
IV | 45 |
V | 68 |
VI | 70 |
VII | 84 |
VIII | 86 |
IX | 96 |
XLIV | 278 |
XLV | 288 |
XLVI | 290 |
XLVII | 298 |
XLVIII | 300 |
XLIX | 314 |
L | 316 |
LI | 327 |
X | 98 |
XI | 108 |
XII | 109 |
XIII | 117 |
XIV | 119 |
XV | 128 |
XVI | 130 |
XVII | 135 |
XVIII | 136 |
XIX | 146 |
XX | 148 |
XXI | 153 |
XXII | 155 |
XXIII | 168 |
XXIV | 170 |
XXV | 179 |
XXVI | 182 |
XXVII | 189 |
XXVIII | 191 |
XXIX | 198 |
XXX | 202 |
XXXI | 204 |
XXXII | 219 |
XXXIII | 221 |
XXXIV | 236 |
XXXV | 238 |
XXXVI | 248 |
XXXVII | 250 |
XXXVIII | 255 |
XXXIX | 262 |
XL | 265 |
XLI | 268 |
XLII | 270 |
XLIII | 276 |
LII | 330 |
LIII | 336 |
LIV | 339 |
LV | 351 |
LVI | 353 |
LVII | 358 |
LVIII | 368 |
LIX | 371 |
LX | 381 |
LXI | 383 |
LXII | 390 |
LXIII | 393 |
LXIV | 399 |
LXV | 402 |
LXVI | 406 |
LXVII | 408 |
LXVIII | 419 |
LXIX | 421 |
LXX | 427 |
LXXI | 430 |
LXXII | 433 |
LXXIII | 435 |
LXXIV | 444 |
LXXV | 446 |
LXXVI | 454 |
LXXVII | 462 |
LXXVIII | 464 |
LXXIX | 474 |
LXXX | 477 |
LXXXI | 483 |
LXXXII | 485 |
| 491 | |
LXXXIV | 492 |
Другие издания - Просмотреть все
Theatre/Theory/Theatre: The Major Critical Texts from Aristotle and Zeami to ... Ограниченный просмотр - 2003 |
Theatre/Theory/Theatre: The Major Critical Texts from Aristotle and Zeami to ... Ограниченный просмотр - 2003 |
Theatre, Theory, Theatre: The Major Critical Texts from Aristotle and Zeami ... Daniel Gerould Ограниченный просмотр - 2000 |
Часто встречающиеся слова и выражения
action actor Aeschylus ancient appear Aristotle artistic audience beautiful become beginning bring called character chorus comedy comes considered Corneille create critics drama effect emotions epic everything example existence experience expression eyes face fact feel Flower follow force French give Greek hand hero human idea imagination imitation interest Italy kind kings language laws less living look matter means mind moral move nature never object observed once particular passions performance persons Plautus play pleasure plot poet poetic poetry possible practice present produce reality reason represented rules scenes seen sense Shakespeare social speak spectator spirit stage story theatre theatrical theory things thought tion tragedy tragic true truth turn understand unity whole write