A Preface to WordsworthLongman, 1986 - Всего страниц: 203 A critical introduction to the life, thought, and art of the English Romantic poet in a new edition in which the author has chosen a number of representative poems to chart the growth of the poet's mind and explains the long philosophical poem "The Prelude", which reveals that autobiographical impulse to the full, as a work that went through many forms over half a century. |
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Стр. 91
... lines ' the primal sympathy ' seems to represent all that is left of the relation between Man and Nature ; ' the philosophic mind ' , on the other hand , is a direct reference to Roman Stoicism . Nevertheless , the language of the ...
... lines ' the primal sympathy ' seems to represent all that is left of the relation between Man and Nature ; ' the philosophic mind ' , on the other hand , is a direct reference to Roman Stoicism . Nevertheless , the language of the ...
Стр. 143
... ( lines 1-32 ) Wordsworth tells us that he once visited the castle in a season of calm weather . The castle seemed asleep , and the sea was tranquil ( line 12 ) . If he had been a painter at that time , he would not have produced a ...
... ( lines 1-32 ) Wordsworth tells us that he once visited the castle in a season of calm weather . The castle seemed asleep , and the sea was tranquil ( line 12 ) . If he had been a painter at that time , he would not have produced a ...
Стр. 146
John Arthur Purkis. last lines where the The Solitary ( called the Sceptic because he reads Voltaire ) answers back . You may feel that you have read some of these lines before ; line 760 anticipates Keats's ' Ode to a Nightingale ...
John Arthur Purkis. last lines where the The Solitary ( called the Sceptic because he reads Voltaire ) answers back . You may feel that you have read some of these lines before ; line 760 anticipates Keats's ' Ode to a Nightingale ...
Содержание
Biographical summaries | 3 |
Boat on Ullswater by Tom Sharpe | 10 |
The Prelude as autobiography I I | 11 |
Авторские права | |
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Abbey appearance associations became become begin called century child Cockermouth Coleridge considered continued Cottage course critics death described Dorothy early edition England English evidence example experience face fact feel felt France French give Grasmere Hartley heart human ideas important impression industrial influence interest John Journals Lake Lake District land later letter lines lived London look Lyrical Ballads mind Nature never objects observation original passage perhaps philosopher poem poet poetic poetry political poor Prelude present produced published readers reason reference remains seems seen sense shows side sonnet stayed tells things thought trees turned University usually verse visited walk whole Wordsworth worth writing written wrote