A Preface to WordsworthLongman, 1986 - Всего страниц: 203 A critical introduction to the life, thought, and art of the English Romantic poet in a new edition in which the author has chosen a number of representative poems to chart the growth of the poet's mind and explains the long philosophical poem "The Prelude", which reveals that autobiographical impulse to the full, as a work that went through many forms over half a century. |
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Стр. 81
... associations ; and thus bringing in the association and idea wanted , at last . However , if the desire be great , it changes the state of the brain , and has an opposite effect ; so that the desired idea does not recur , till all has ...
... associations ; and thus bringing in the association and idea wanted , at last . However , if the desire be great , it changes the state of the brain , and has an opposite effect ; so that the desired idea does not recur , till all has ...
Стр. 108
... associations and more could easily come to mind - prepare us for a sentimental reunion scene ( if it is Emma ) or an adoption scene ( ' Let me be your father ' , etc. ) . Instead , with an unexpected unsentimental twist , the Girl is ...
... associations and more could easily come to mind - prepare us for a sentimental reunion scene ( if it is Emma ) or an adoption scene ( ' Let me be your father ' , etc. ) . Instead , with an unexpected unsentimental twist , the Girl is ...
Стр. 138
... associations . So one ' feeling ' reinforces another . 329-334 At this point the poet ' takes off ' and in a moment of vision tells us that Man's ' greatness ' is derived from early childhood experiences - provided that we have ...
... associations . So one ' feeling ' reinforces another . 329-334 At this point the poet ' takes off ' and in a moment of vision tells us that Man's ' greatness ' is derived from early childhood experiences - provided that we have ...
Содержание
Biographical summaries | 3 |
Boat on Ullswater by Tom Sharpe | 10 |
The Prelude as autobiography I I | 11 |
Авторские права | |
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Abbey appearance associations became become begin called century child Cockermouth Coleridge considered continued Cottage course critics death described Dorothy early edition England English evidence example experience face fact feel felt France French give Grasmere Hartley heart human ideas important impression industrial influence interest John Journals Lake Lake District land later letter lines lived London look Lyrical Ballads mind Nature never objects observation original passage perhaps philosopher poem poet poetic poetry political poor Prelude present produced published readers reason reference remains seems seen sense shows side sonnet stayed tells things thought trees turned University usually verse visited walk whole Wordsworth worth writing written wrote