Artifice & Indeterminacy: An Anthology of New PoeticsChristopher Beach University of Alabama Press, 1998 - Всего страниц: 354 Artifice and Indeterminacy gathers the strongest and most representative writings of the past two decades and shows more clearly than ever before the depth and breadth of contemporary American poetics. Collectively, these essays break with conventional interpretive frameworks and traditional generic boundaries of poetry to give fresh voice to the poetics of our time. Neither dismissive of the aesthetic value(s) of poetry, nor reluctant to articulate the ways in which aesthetic evaluation is complicated by the mediating influences of history, culture, class, gender, race, and academic status, the writers presented in this anthology celebrate the artifice of the poetic text while also accepting as a given the indeterminacy of its inception and reception. Individual pieces range in style and approach from theoretical writings to discussions of individual poets such as Emily Dickinson, Louis Zukofsky, and Bob Kaufman. The authors consider such critical issues as gender and the possibilities of a feminist poetics, the textual politics of race and class, and the broader implications of an avant-garde practice.CONTENTS / CONTRIBUTORS Section 1: Form/Syntax/Speech Charles Bernstein Bob Perelman Barrett Watten Michael Davidson Marjorie Perloff Section 2: Pattern/Experience/Song David Antin Leslie Scalapino Lyn Hejinian John Taggart Section 3: Institutions and Ideology James Sherry Ron Silliman Steve McCaffery Hank Lazer Nathaniel Mackey Maria Damon Section 4: Poetics and Gender Rae Armantrout Rachel Blau DuPlessis Susan Howe |
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... marks an attempt to move literature closer to daily life , which is certainly dominated by markets ; at the same time , by equating the verse line and the prose sentence , it also marks the pursuit of a writ- ing " unattempted yet in ...
... marks , and the like , have no space preceding them , however situated in the manuscripts . Stray marks have been ignored . " 993 FELLOWS 1958 : Thomas H. Johnson , Introduction to The Letters of Emily Dickinson . Since Emily ...
... marks might have been meant as signs " of stress and tempo stronger than a comma and weaker than a period . " The new critical edition must reconsider such questions . In the early fascicles , Dickinson frequently uses exclama- tion marks ...
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The New Sentence in Theory | 24 |
The Work in the World | 49 |
From Act to Speech Act | 70 |
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Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing ... Paula R. Backscheider Недоступно для просмотра - 2005 |
Eighteenth-Century Women Poets and Their Poetry: Inventing Agency, Inventing ... Paula R. Backscheider Ограниченный просмотр - 2005 |