Makers of Literary Criticism, Том 1Balachandra Rajan, Arapura Ghevarghese George Asia Publishing House, 1965 |
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Стр. 36
... effect which every one who hears the fable of the Oedipus must experience . But to produce this effect by means of the decoration discovers want of art in the poet ; who must also be supplied by the public with an expensive apparatus ...
... effect which every one who hears the fable of the Oedipus must experience . But to produce this effect by means of the decoration discovers want of art in the poet ; who must also be supplied by the public with an expensive apparatus ...
Стр. 55
... effect even without action ; we can judge of it perfectly by reading . If , then , in other respects , tragedy be superior , it is sufficient that the fault here objected is not essential to it . III Tragedy has the advantage in the ...
... effect even without action ; we can judge of it perfectly by reading . If , then , in other respects , tragedy be superior , it is sufficient that the fault here objected is not essential to it . III Tragedy has the advantage in the ...
Стр. 89
... effect of the hyperbole is spoilt , being in such cases relaxed by overstraining , and producing the very opposite to the effect desired . Isocrates , for instance , from an ambitious desire of lending everything a strong rhetorical ...
... effect of the hyperbole is spoilt , being in such cases relaxed by overstraining , and producing the very opposite to the effect desired . Isocrates , for instance , from an ambitious desire of lending everything a strong rhetorical ...
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Makers of Literary Criticism, Том 1 Balachandra Rajan,Arapura Ghevarghese George Просмотр фрагмента - 1965 |
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action admiration Æneid Aeschylus ancient appears argument Aristotle audience beauty Ben Jonson better blank verse called censure character Chaucer Cicero comedy criticism delight Demosthenes diction diligence discourse drama Dryden elegant English epic epic poetry Euripides evil example excellent express eyes fable faults favour French genius give Glaucon Greek Herodotus Homer honour Horace human images imagination imitation invention John Dryden judge judgement kind King knowledge labour language learning Lisideius live manners mean Milton mind nature never observed opinion Ovid Paradise Lost passage passions perhaps persons philosopher Plato Plautus play pleasure plot poem poesy poet poetical poetry praise reader reason rhyme scenes seems sense sentiments Shakespeare sometimes Sophocles soul speak speech stage style sublimity suppose things thought tion tragedy translated true truth verse Virgil virtue whole words write written Xenophon