Terror and the Cinematic Sublime: Essays on Violence and the Unpresentable in Post-9/11 Films
This collection considers film in the aftermath of September 11, 2001. Eleven essayists address Hollywood movies, indie film, and post-cinematic media, including theatrical films by directors such as Steven Spielberg, Darren Aronofsky, Quentin Tarantino and Spike Lee, and post-cinematic works by Wafaa Bilal, Douglas Gordon and Peter Tscherkassky, among others. All of the essays are written with an eye to what may be the central concept of our time, the sublime. The sublime—that which can be thought but not represented (the “unpresentable”)—provides a ready tool for analyses of trauma, horror, catastrophe and apocalypse, the military-industrial complex, the end of humanism and the limits of freedom. Such essays take the pulse of our cultural moment, while also providing the reader with a sense of the nature of the sublime in critical work, and how it continues to evolve conceptually in the 21st century.
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Exposing the Limits of Freedom
Другие издания - Просмотреть все
Abu Ghraib aesthetic argues artistic Auschwitz biopolitical birth Burke’s camera cinema cinematic form Cloverfield concept confrontation consciousness contemporary cultural David death demon desire dialectical digestion disaster film Donnie Darko Donnie’s dream effects embodied emotion encounter essay eternal return ethical events of 9/11 existence experience falling feeling fiction film’s freedom genre hermeneutic historical Hollywood horror films human illusion images imagination immanent Inglourious Basterds Inside Kant Kant’s Kantian Katie Lyotard mass destruction meaning mecha mechanisms memory Micah moral mourning movie narrative Nazi Nazism Nietzsche’s notion ofits one’s original’s emphasis paranoid anxiety pleasure Poe’s political possible post)cinematic posthuman postmodern projects Psycho reality reflection remake represent representation scene screen sense sequence shock shot skyline Slavoj Žižek social Source Code space specific spectacle spectator Spider-Man Spider-Man films Stevens story structure sublime Tarantino’s terror terrorist tion trauma uncanny viewer visual war on terror Žižek