Romantic Shakespeare: From Stage to PageFairleigh Dickinson University Press, 2001 - Всего страниц: 252 This book examines how British Romantics such as Lamb. Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader. |
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Стр. 64
... understanding itself " ( TM 267 ) and to demonstrate that our understanding is affected by the history of past interpretations of the text . But having an " effective - historical consciousness " does not mean that the understanding of ...
... understanding itself " ( TM 267 ) and to demonstrate that our understanding is affected by the history of past interpretations of the text . But having an " effective - historical consciousness " does not mean that the understanding of ...
Стр. 81
... understanding " ad- vanced by Gadamer is suggestive of a self - reflexive dimension of the communication between Shakespeare's texts , and Malone and the Romantics : " the understanding of an expression means , ultimately , not only the ...
... understanding " ad- vanced by Gadamer is suggestive of a self - reflexive dimension of the communication between Shakespeare's texts , and Malone and the Romantics : " the understanding of an expression means , ultimately , not only the ...
Стр. 82
... understanding what is there . ( TM 236 ) But the idea of interpretation as the process of new projection does not mean that the reader's presumptions should be corrected and replaced with whatever meanings he or she picks up during the ...
... understanding what is there . ( TM 236 ) But the idea of interpretation as the process of new projection does not mean that the reader's presumptions should be corrected and replaced with whatever meanings he or she picks up during the ...
Содержание
Acknowledgments | 9 |
Romanticism and Historicism | 55 |
Lamb and the Gap of Indeterminacy | 98 |
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action activity actor aesthetic applied artistic associated attempt audience become bring Cambridge century characters claim Coleridge Coleridge's concept concern criticism demonstrate drama edition effect Elizabethan emotion English Essays experience expressed fact feelings Friend Further give Hamlet Hazlitt historical human idea imagination implied individual intention interest interpretation Italics John Lamb Lamb's language lecture letter literary Literature London Malone Malone's meaning method mind moral nature notes notion object original Oxford particular past performance play poem poet poetic poetry political possible practice present principle production qualities range reader reading references relation response Richard Romantic sense Shake Shakespeare Shakespeare's plays social speare stage status style suggests takes textual theater theatrical theory things thought tion tradition truth understanding University Press vols whole writing York
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Shakespeare in Children's Literature: Gender and Cultural Capital Erica Hateley Недоступно для просмотра - 2010 |