Romantic Shakespeare: From Stage to PageFairleigh Dickinson University Press, 2001 - Всего страниц: 252 This book examines how British Romantics such as Lamb. Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader. |
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Стр. 25
... theatrical effect . The Romantic bias against performance intends to establish Shake- speare's works as literary artifacts whose inherent meanings should not be distorted by spectacular delights , inevitably discounting the- atrical ...
... theatrical effect . The Romantic bias against performance intends to establish Shake- speare's works as literary artifacts whose inherent meanings should not be distorted by spectacular delights , inevitably discounting the- atrical ...
Стр. 26
... theatrical importance of Shakespeare's plays was in line with the legacy of " Puritan literalism . ” He argues that Romantic subjectivity went too far by fostering “ a cult of inwardness and privacy which fed the puritanical distrust of ...
... theatrical importance of Shakespeare's plays was in line with the legacy of " Puritan literalism . ” He argues that Romantic subjectivity went too far by fostering “ a cult of inwardness and privacy which fed the puritanical distrust of ...
Стр. 120
... theatrical effect of visual simplicity underrated a tension in Eliot's mind be- tween theatrical and literary values of poetic drama . But on the other hand , the production offered a testimony to the theatrical qualities of the play ...
... theatrical effect of visual simplicity underrated a tension in Eliot's mind be- tween theatrical and literary values of poetic drama . But on the other hand , the production offered a testimony to the theatrical qualities of the play ...
Содержание
Acknowledgments | 9 |
Romanticism and Historicism | 55 |
Lamb and the Gap of Indeterminacy | 98 |
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Часто встречающиеся слова и выражения
action activity actor aesthetic applied artistic associated attempt audience become bring Cambridge century characters claim Coleridge Coleridge's concept concern criticism demonstrate drama edition effect Elizabethan emotion English Essays experience expressed fact feelings Friend Further give Hamlet Hazlitt historical human idea imagination implied individual intention interest interpretation Italics John Lamb Lamb's language lecture letter literary Literature London Malone Malone's meaning method mind moral nature notes notion object original Oxford particular past performance play poem poet poetic poetry political possible practice present principle production qualities range reader reading references relation response Richard Romantic sense Shake Shakespeare Shakespeare's plays social speare stage status style suggests takes textual theater theatrical theory things thought tion tradition truth understanding University Press vols whole writing York
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Shakespeare in Children's Literature: Gender and Cultural Capital Erica Hateley Недоступно для просмотра - 2010 |