Romantic Shakespeare: From Stage to PageFairleigh Dickinson University Press, 2001 - Всего страниц: 252 This book examines how British Romantics such as Lamb. Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader. |
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Стр. 193
... Hazlitt's critical activity was gen- erated by the personal desire , with its roots in both individual psy- chology and the spirit of the age . Political issues resolved themselves into Hazlitt's personal concerns . It is worth noting ...
... Hazlitt's critical activity was gen- erated by the personal desire , with its roots in both individual psy- chology and the spirit of the age . Political issues resolved themselves into Hazlitt's personal concerns . It is worth noting ...
Стр. 203
... Hazlitt's terms in any one essay . 26 He associates the inconsistency in Hazlitt's aesthetics with his jour- nalistic style of writing which was successful in stimulating the audi- ence's interest rather than defending his own critical ...
... Hazlitt's terms in any one essay . 26 He associates the inconsistency in Hazlitt's aesthetics with his jour- nalistic style of writing which was successful in stimulating the audi- ence's interest rather than defending his own critical ...
Стр. 230
... Hazlitt's dramatic criticism in “ Hazlitt and the Rivalry of the Sister Arts in British Theatre 1750-1820 " ( Ph.D. diss . , University of Oregon , 1982 ) . 19. For further explanations of the experiential nature of Hazlitt's concept of ...
... Hazlitt's dramatic criticism in “ Hazlitt and the Rivalry of the Sister Arts in British Theatre 1750-1820 " ( Ph.D. diss . , University of Oregon , 1982 ) . 19. For further explanations of the experiential nature of Hazlitt's concept of ...
Содержание
Acknowledgments | 9 |
Romanticism and Historicism | 55 |
Lamb and the Gap of Indeterminacy | 98 |
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action activity actor aesthetic applied artistic associated attempt audience become bring Cambridge century characters claim Coleridge Coleridge's concept concern criticism demonstrate drama edition effect Elizabethan emotion English Essays experience expressed fact feelings Friend Further give Hamlet Hazlitt historical human idea imagination implied individual intention interest interpretation Italics John Lamb Lamb's language lecture letter literary Literature London Malone Malone's meaning method mind moral nature notes notion object original Oxford particular past performance play poem poet poetic poetry political possible practice present principle production qualities range reader reading references relation response Richard Romantic sense Shake Shakespeare Shakespeare's plays social speare stage status style suggests takes textual theater theatrical theory things thought tion tradition truth understanding University Press vols whole writing York
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Shakespeare in Children's Literature: Gender and Cultural Capital Erica Hateley Недоступно для просмотра - 2010 |