An Abridgment of Lectures on RhetorickJoseph Manahan, 1822 - Всего страниц: 304 |
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Стр. 5
... expression , but bar- ren or erroneous in sentiment . Oratory , it is true , has often been disgraced by attempts to establish a false criterion of its value . Writers have endeavor- ed to supply want of matter by graces of composition ...
... expression , but bar- ren or erroneous in sentiment . Oratory , it is true , has often been disgraced by attempts to establish a false criterion of its value . Writers have endeavor- ed to supply want of matter by graces of composition ...
Стр. 31
... expression , by rising above what is customa- ry or vulgar , constitutes the sublime ; yet noth- ing is in reality more false . In genuine instan- ces of sublime writing , nothing of this kind ap- pears . " God said , let there be light ...
... expression , by rising above what is customa- ry or vulgar , constitutes the sublime ; yet noth- ing is in reality more false . In genuine instan- ces of sublime writing , nothing of this kind ap- pears . " God said , let there be light ...
Стр. 37
... expression , which it conveys , of the qualities of the mind ; of good sense , or good humor ; of candor , benevolence , sensibility , or other amiable dispositions . It may be observed , that there are certain quali- ties of the mind ...
... expression , which it conveys , of the qualities of the mind ; of good sense , or good humor ; of candor , benevolence , sensibility , or other amiable dispositions . It may be observed , that there are certain quali- ties of the mind ...
Стр. 46
... expression . Interjections , it has been shown , or passion . ate exclamations , were the elements of speech . Men labored to communicate their feelings to each other by those expressive cries and ges- tures , which nature taught them ...
... expression . Interjections , it has been shown , or passion . ate exclamations , were the elements of speech . Men labored to communicate their feelings to each other by those expressive cries and ges- tures , which nature taught them ...
Стр. 49
... expression which was appropriated to that pur- pose ; but were obliged to paint the emotion or passion , which they felt , by alluding to those sensible objects , which had most connection with it , and which could render it in some ...
... expression which was appropriated to that pur- pose ; but were obliged to paint the emotion or passion , which they felt , by alluding to those sensible objects , which had most connection with it , and which could render it in some ...
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abounds action admit Æneid agreeable ancient appear arguments beauty blank verse characters chiefly Cicero circumstances comedy composition concise considered criticism defects degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English English language epic poem epic poetry excel exhibit expression fancy figure founded French genius give grace grandeur Greek guage hearers Hence Henriade Homer human ideas Iliad imagination imitation instance introduced ject kind language Livy Lucan Lusiad lyric poetry manner ment metaphor Milton mind mode modern moral motion narration nature never objects observed orator ornament passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasures poet poetical principal proper propriety public speaking QUESTIONS render requisite Roman rule scene sense sentence sentiments simplicity sion sound speaker species Specta speech spirit strength style sublime syllable Tacitus taste tence Theocritus thing thought tion tragedy tropes unity variety verse versification Virgil words writing