Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 125
... remarkable in the first journey , when every object is new , and makes a strong impression . On the other hand , after finishing a journey through a barren country thinly peopled , the time appears short , being measured by the number ...
... remarkable in the first journey , when every object is new , and makes a strong impression . On the other hand , after finishing a journey through a barren country thinly peopled , the time appears short , being measured by the number ...
Стр. 161
... remarkable in figurative , than in real grandeur or elevation . Every one must have observed the de- lightful effect of a number of thoughts or sentiments , artfully disposed like an ascending series , and making impressions deeper and ...
... remarkable in figurative , than in real grandeur or elevation . Every one must have observed the de- lightful effect of a number of thoughts or sentiments , artfully disposed like an ascending series , and making impressions deeper and ...
Стр. 205
... remarkable when both objects are of the same species . The greatest disparity between objects of different kinds , is so common as to be observed with perfect indifference ; but such disparity between objects of the same kind , being ...
... remarkable when both objects are of the same species . The greatest disparity between objects of different kinds , is so common as to be observed with perfect indifference ; but such disparity between objects of the same kind , being ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers