Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 25
... particular propositions to those which are more general . Why this difference in matters that appear so nearly re- < 24 > lated ? I answer , The cases are similar in appearance only , not in reality . In an historical chain , every ...
... particular propositions to those which are more general . Why this difference in matters that appear so nearly re- < 24 > lated ? I answer , The cases are similar in appearance only , not in reality . In an historical chain , every ...
Стр. 38
... particular . A man , a house , a garden , is a particular object : fame , esteem , opulence , honour , are general objects , because each of them comprehends many particulars . The passions directed to general objects are commonly ...
... particular . A man , a house , a garden , is a particular object : fame , esteem , opulence , honour , are general objects , because each of them comprehends many particulars . The passions directed to general objects are commonly ...
Стр. 286
... particular : they have an undetermined direction toward all objects of gratification in general ; whereas an habitual appetite is directed to a par- ticular object : the attachment we have by habit to a particular woman , dif- fers ...
... particular : they have an undetermined direction toward all objects of gratification in general ; whereas an habitual appetite is directed to a par- ticular object : the attachment we have by habit to a particular woman , dif- fers ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers