Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
Результаты поиска по книге
Результаты 1 – 3 из 55
Стр. 142
... beauty belongs to objects of sight . Of all the objects of external sense , an object of sight is the most com- plex : in the very simplest , colour is perceived , figure , and length , breadth , and thickness . A tree is composed of a ...
... beauty belongs to objects of sight . Of all the objects of external sense , an object of sight is the most com- plex : in the very simplest , colour is perceived , figure , and length , breadth , and thickness . A tree is composed of a ...
Стр. 143
... beauty , until we be made acquainted with its use and destination . In a word , intrinsic beauty is ultimate : relative beauty is that of means relating to some good end or purpose . These different beauties agree in one capital ...
... beauty , until we be made acquainted with its use and destination . In a word , intrinsic beauty is ultimate : relative beauty is that of means relating to some good end or purpose . These different beauties agree in one capital ...
Стр. 149
... Beauty therefore , which for its existence depends on the percipient as much as on the object perceived , cannot be an inherent property in either . And hence it is wittily observed by the poet , that beauty is not in the person beloved ...
... Beauty therefore , which for its existence depends on the percipient as much as on the object perceived , cannot be an inherent property in either . And hence it is wittily observed by the poet , that beauty is not in the person beloved ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
Не показаны другие разделы: 29
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers