Revolution in the Head: The Beatles' Records and the SixtiesChicago Review Press, 2007 - Всего страниц: 515 This "Bible of the Beatles" captures the iconic band's magical and mysterious journey from adorable teenagers to revered cultural emissaries. In this fully updated version, each of their 241 tracks is assessed chronologically from their first amateur recordings in 1957 to their final "reunion" recording in 1995. It also incorporates new information from the Anthology series and recent interviews with Paul McCartney. This comprehensive guide offers fascinating details about the Beatles' lives, music, and era, never losing sight of what made the band so important, unique, and enjoyable. |
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... track was achieved on the fifth of nine takes . Following this , Lennon and McCartney did their vocals , tracking ... track 2. However , McCartney also seems to be double - tracked through the middle eight , so he must have sung on track ...
... track was achieved on the fifth of nine takes . Following this , Lennon and McCartney did their vocals , tracking ... track 2. However , McCartney also seems to be double - tracked through the middle eight , so he must have sung on track ...
Стр. 479
... track sometimes led Lennon and McCartney to collapse verse and chorus into a ' verse / chorus ' , or to telescope the chorus into a single line . In America , influenced by jazz usage , the verse is called the chorus , the chorus being ...
... track sometimes led Lennon and McCartney to collapse verse and chorus into a ' verse / chorus ' , or to telescope the chorus into a single line . In America , influenced by jazz usage , the verse is called the chorus , the chorus being ...
Стр. 480
... track ( ' track ' ) . To duplicate an already recorded performance on another channel ( track ) . The effect depends on the natural differences between each track , although these must be minimised by the performer . Often singers ...
... track ( ' track ' ) . To duplicate an already recorded performance on another channel ( track ) . The effect depends on the natural differences between each track , although these must be minimised by the performer . Often singers ...
Содержание
THE BEATLES RECORDS | 27 |
Note on the cataloguing system | 41 |
Note to Chronology | 385 |
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Revolution in the Head: The Beatles' Records and the Sixties Ian MacDonald Ограниченный просмотр - 2007 |
Revolution in the Head: The Beatles' Records and the Sixties Ian MacDonald Ограниченный просмотр - 2007 |
Часто встречающиеся слова и выражения
Abbey Road acoustic guitar acoustic rhythm guitar album American Anthology August backing vocal bass Beach Boys Beatles For Sale Blues chords chorus counterculture culture December 1965 LP Dylan Engineer February film Geoff Emerick George Martin handclaps Hard Day's Night Harrison backing vocal Harrison lead guitar Hearts Club Band hippie Holly John July June Kinks later lead guitar Lennon and McCartney Lennon backing vocal Lennon double-tracked vocal Lennon vocal Lennon-McCartney Liverpool London Lonely Hearts Club lyric Magical Mystery Tour major McCartney backing vocal McCartney harmony vocal McCartney vocal McCartney's melody middle eight Norman Smith November 1968 LP October overdubs Pepper Pepper's Lonely Hearts performance piano played Presley Producer REVOLUTION rhythm guitar rock-and-roll Rolling Stones Rubber Soul session Shadows Sixties song song's songwriters Soundtrack Sound Starr drums Recorded STRAWBERRY FIELDS studio style tambourine taped track UK POP UK release verse Yoko