Dealing with Degas: Representations of Women and the Politics of VisionRichard Kendall, Griselda Pollock Pandora, 1992 - Всего страниц: 224 This is a collection of essays based on the papers by leading Degas experts given at the Table Gallery, Liverpool in 1989 as well as further American academics, especially commissioned for this book. The text demonstrates the diversity of approaches and issues generated around the problematic material of Degas' images of women, combining art history, cultural theory and psychology. Richard Kendall is an art historian and organizer of the Liverpool conference. |
Содержание
List of Illustrations | 7 |
WomenDegasImages What | 22 |
Degas and the Subversion of | 43 |
Авторские права | |
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Dealing with Degas: Representations of Women and the Politics of Vision Richard Kendall,Griselda Pollock Просмотр фрагмента - 1992 |
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analysis argued art history artist ballet Bathers bathing binoculars Bouderie boulevard bourgeois bourgeois family brothel Burrell Collection café Cardinal colour composition contemporary critics cultural dancers defined Degas's depicted desire difference discourse drawing Duranty Edgar Degas essay Eunice Lipton fantasy female body female figure female nude feminine feminism feminist gaze Geffroy gender gesture Gustave Geffroy Halévy Huysmans identified ideological imagery images of women Impressionist Jean Sutherland Boggs Laura Mulvey London looking lorgnette Ludovic Halévy male Manet Mary Cassatt masculine meaning Metropolitan Museum misogyny modern monotype mother Musée d'Orsay Museum of Art narrative National Gallery nineteenth-century obsession oil on canvas painting Paris pastel Pauline pictorial pleasure portrait pose private collection prostitutes psychic quoted in Moffett Racetrack relation representation Richard Kendall role Salon scene sexual signified social space specific spectator spectator's structure studies suggests Tate Gallery viewer vision visual woman