I only read a few specific chapters of this before my break was over & I gave it back to the library, but I was a little disappointed in the shallowness of the information. I didn't like the art as much as I thought I would, either. Still, I might take it out again and read the rest of it: I still approve of the concept of the book. ( )

A look at the history of one of mankind's favorite obsessions. The author begins with pagan and other conceptions of hell, such as Zoroastrianism, and moves quickly toward the Jewish, then to the Christian, version of hell. She traces the changes in the perceptions of hell throughout the Christian era, and includes a great many color plates of artist renditions to show the changing landscape of hell and the evolving face of Satan. An easy read, but sometimes the author seems to take too much at face value. In this sort of book, it mostly doesn't matter because she is presenting a literary history, not a historical or scientific one, but it is a bit disconcerting to have the author state in a footnote that Russian oilmen heard the screams from hell as though it actually happened. Also, she does seem a bit unaware of some of the current evangelical apocalypticism, as she seems to believe that actual believe in hell ended by the beginning of the 20th century. This could perhaps be forgivable had the book been written in the 1960s or 1970s, but by the 1990s, the religious right had come roaring back to prominence, and good research should have indicated that there is, in fact, a strong contingent of people who believe in a literal hell (around 60% of Americans). Otherwise, a good read. ( )

It's interesting. I was actually a little surprised at how engrossing this book was. I loved the way the author traced Hell from the polytheistic influence on the Christian perception, through the various theological and political influences until we arrived at our most modern interpretation. I particularly enjoyed some of the religious theories she cited and how they altered theology in various ways. Some of the facts she included were a fascinating surprise -- the book as a whole was just a delightful journey of discovery.

I have to admit, I also liked it because I could never pin the author's theological beliefs down. There were points when I thought she was Catholic, other times when I'd decided she must be atheist, and once or twice when I was convinced she was some fringe religion like Mormonism. I really appreciated this ambiguity, because it never felt as though she was coming at the topic from a biased direction. ( )

I was disappointed but that is entirely my own fault - this is only an overview of how Hell picked up all its characteristics, since the Bible has surprisingly little to say about it. Much of what we think of as biblical is a weird mishmash of ancient religions, folk tales and literature - . It was certainly interesting but nothing was developed very much, so I intend to treat the book as a jumping off point for further research into the areas that interest me - less Swedenborg and more Zoroastrianism and medievalism. The prose is readable, the tone jaunty without being inappropriate and for the mildly interested, a great book. If you are interested in how Hell gained such a grasp on the Western imagination and, especially, some forms of American evangelicalism,then perhaps not. ( )

This is not a new book; I dug it from my shelves just to write this review. It's not a scholarly-looking book; the oversize cover, glossy pages, and color pictures on every other page make it look more like a children's book than a theological treatise. It's not the work of a notable scholar; Ms. Turner is better known for her fiction and as an editor for Playboy. So what is this review doing on my blog today?

Against all odds, this is an important book about an important topic. Is it Alice's fault that she manages to turn it into a fun read as well?

The History of Hell begins at the beginning, with the earliest religious beliefs of an underworld. You'll explore the Egyptian Book of the Dead and Zoroastrianism. You'll move forward in time to the Greek understanding of Hades, the Platonic description of Hell, and the Hebrew teachings of Sheol. As these ideas merge into one, you begin to see glimpses of today's Christian version of Hell emerging.

In time, Purgatory arrives. Christian ideas continue to evolve through the centuries, giving birth to artwork and stories like Dante's Inferno, as imaginations let loose. Satan, once destined to chains in a dark netherworld transforms before your eyes into an evil taskmaster. Now, trident in hand, he gleefully tortures lost souls in a lake of fire forever and ever, amen.

You continue to travel through the Middle Ages, the Reformation, the Enlightenment, through the 19th century, and on into today's time, as Hell continues to evolve. Why is this journey important? Why put yourself through Hell? Because, as Christians, it's vitally important to our spiritual well-being to understand that we have made our own version of Hell. Ideas have evolved from the beginning of religion, and understanding this, knowing the "history of Hell," can set you free from the undertow of today's spiritually-damaging teachings.

And if you're going to take this frightful journey, you may as well make it an entertaining one. Pick up Alice's book. ( )

from page 135, footnote:

"According to The Weekly World News of August 28, 1990, Hell is nine miles beneath the surface of a point in western Siberia where Soviet engineers drilling for oil broke through. They capped their hole after smelling the smoke and hearing the cries of the damned." Pretty interesting, huh?

The History of Hell is like the textbook for a course on (as she calls it) "Infernology". I will be up front and tell you that if you are a Christian, you're going to absolutely hate this book. The author examines in chronlogical format how hell has been depicted and understood from the time of the Sumerians through the present. Hell's heyday, of course, was during the medieval period, when works of art, sermons, pulpit manuals, papal decrees etc etc made Hell a very vivid weapon of control by the Church. Turner examines the works of the "chief architects" of hell: "Homer, Virgil, Plato, Augustine, Dante, Bosch, Michelangelo, Milton, Goethe, Blake and more." (3)

Turner's work has been criticized by some reviewers as being shallow. Personally, this isn't meant either to be a definitive or scholarly history; it is more on the order of Hell for the layman. She has also been criticized for losing steam at the end and I agree with this call. IMHO, she should have ended the book with "The Romantics," and left it at that to keep the book's potency and momentum fresh.

This is a wonderful book; if you get offended by her explanations of how the whole hell/final judgment/fire & brimstone stuff was manipulated by Christians at large throughout Christian history, or, if you're offended by the fact that the early Christians probably lifted the geography & images of hell from earlier, non-Christian cultures, then just sit quietly and look at the pictures. The works of art she's chosen as illustrations are simply magnificent.

I highly recommend this one to those interested in the topic. ( )