by David Herlihy ‧ RELEASE DATE: Sept. 28, 1997
Bold, novel theories, sure to be controversial, about the medieval pandemic known as the Black Death, by late Brown University historian Herlihy. The European pestilence (dubbed the Black Death centuries later by northern European scholars) began in 1348 and ravaged the continent in intermittent waves for a century. In that time it killed millions; Herlihy estimates that in villages as far apart as England and Italy populations were reduced by as much as 70 or 80 percent. It is regarded as one of European history's watershed events. While not disputing that, Herlihy revisits much of the conventional wisdom about the demographic, cultural, and even medical impact of the plague. Indeed, he questions whether the Black Death even was plague: He notes that medieval chroniclers did not mention epizootics (mass deaths of rats or other rodents, which are a necessary precursor to plague) and did mention lenticulae or pustules or boils over the victims' bodies, which is not characteristic of plague. Herlihy observes that the illness showed some signs of bubonic plague, some of anthrax, and some of tuberculosis, and speculates that perhaps several diseases ``sometimes worked together synergistically to produce the staggering mortalities.'' Herlihy sees Europe before the Black Death as engaged in a ``Malthusian deadlock'' in which a stable population devoted most of its energy to production of food and subsistence goods. The precipitous population decline occasioned by the Black Death compelled Europe to devise labor-saving technologies that transformed the economy. In more controversial theories, Herlihy argues from the increased use of Christian given names that the Black Death caused the Christianization of what had formerly been a pagan society with a Christian veneer, and contends that in the wake of the pestilence Europeans turned to preventive measures such as birth control to check explosive population growth. A stimulating discussion of some rarely considered aspects of one of history's turning points.
Pub Date: Sept. 28, 1997
ISBN: 0-674-07612-5
Page Count: 128
Publisher: Harvard Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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