The Mezzotint: History and TechniqueH.N. Abrams, 1990 - Всего страниц: 296 In this first comprehensive study of every aspect of the mezzotint, Carol Wax traces the history of the medium: its earliest presentation to the public in Amsterdam in 1642, its growth in the eighteenth centrury, particularly in England, as a means of disseminating inexpensive copies of popular painting, its decline in the nineteenth century in the face of competition from cheaper print-making processes, and its resurgence in the twentieth century. |
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addition angle aquatint art unions Artist's Proofs became bevel black ink Boydell British Museum burrs career Charles Turner color prints copper plates Courtesy the artist create designs dots drypoint Dutch effects eighteenth century England English etched fibers French gauge gradations ground prepared impressions intaglio J. M. W. Turner John Boydell John Raphael Smith key plate landscape Liber Studiorum line engraving London medium metal methods mezzo mezzotint engravers mezzotint ground mezzotint industry mezzotint plates mezzotint techniques mezzotinted image nineteenth century original painter painting paper pattern Paul Mellon pigments plate surface plate tone platework portraits pressure Prince Rupert print mezzotints printmaking printsellers produced proofs published Reproduced by Courtesy Reynolds's rocker rocker blade rocker marks rocking roller roulette Samuel Cousins scraped and burnished screens sharpening soft steel plates steel-faced stipple tarlatan teeth texture Thomas tint tion tonal tonal values Trustees Valentine Green watercolor William wiping
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