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" Commander ; he, above the rest In shape and gesture proudly eminent, Stood like a tower ; his form had yet not lost All her original brightness, nor appeared Less than Archangel ruined, and the excess Of glory obscured... "
Select thoughts on the ministry and the Church, gathered by E. Davies - Стр. 501
авторы: Select thoughts - 1875
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The Female Sublime from Milton to Swinburne: Bearing Blindness

Catherine Maxwell, Professor of Victorian Literature Catherine Maxwell - 2001 - Страниц: 279
...beacon tower' amid her women is an obvious echo of Milton's characterisation of Satan among his troops - 'he above the rest / In shape and gesture proudly eminent / Stood like a tower' (1.589-91) -a description which Burke cites as illustration of the sublime in Paradise Lost.w~ It is...
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The Major Works

John Milton - 2003 - Страниц: 966
...he above the rest In shape and gesture proudly eminent 590 Stood like a tower; his form had yet not lost All her original brightness, nor appeared Less...and the excess Of glory obscured: as when the sun new risen Looks through the hori2ontal misty air Shorn of his beams, or from behind the moon In dim...
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The Satanic Epic

Neil Forsyth - 2003 - Страниц: 382
...Lutz Zivley, "Satan in Orbit: PL IX 48-86," Milton Quarterly 31 (1997): 136. Thir dread commander: he above the rest In shape and gesture proudly eminent Stood like a Towr; his form had yet not lost All her Original brightness, nor appear'd Less then Arch Angel ruind,...
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The Arts in Mind: Pioneering Texts of a Coterie of British Men of Letters

Ruth Katz, Ruth HaCohen - 2003 - Страниц: 431
...accords consonant: Thus far these heyond Compare of mortal prowess, yet ohserv'd Their dread commander: he above the rest In shape and gesture proudly eminent, Stood like a tow'rs THE movement the most opposed to pride must he in accord with sorrow. A descent of notes, if...
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Fatal Women of Romanticism

Adriana Craciun - 2002
...the wild winds, the lordly CEDAR tow'rs," writes Robinson, echoing Milton's description of Satan, who "above the rest / In shape and gesture proudly eminent / Stood like a tow'r" (PL, 1. 589-91). Defying the storm that topples inferior trees, "the proud TREE its verdant...
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Character Sketches of Romance, Fiction and the Drama: Volume III

Ebenezer Cobham Brewer - 2004 - Страниц: 588
...are Beelzebub, Moloch, Chemos, Thammuz, Dagon, Eimmon, and Belial. His standard-bearer is Azaz'el. He, above the rest In shape and gesture proudly eminent,...archangel ruined, and the excess Of glory obscured . . . but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek . . . cruel...
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From Words to Numbers: Narrative, Data, and Social Science

Roberto Franzosi, Professor Roberto Franzosi, Franzosi Roberto - 2004 - Страниц: 476
...thousand demigods on golden seats" (I.794), "their visage and their stature as of gods" (I1.570). Satan "...in shape and gesture proudly eminent /Stood like a tower; his form had yet not lost / All its original brightness, nor appeared / Less than archangel ruined" (II. 590-3)....
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The Gothic Other: Racial and Social Constructions in the Literary Imagination

Ruth Bienstock Anolik, Douglas L. Howard - 2014 - Страниц: 320
...who "above the rest / In shape and gesture proudly eminent / Stood like a tower. His form had yet not lost / All her original brightness, nor appeared / Less than archangel ruined, and th' excess /Of glory obscured ... Cruel his eye, but cast /Signs of remorse and passion...."1 In "The...
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Sir Thomas Lawrence

Michael Levey - 2005 - Страниц: 345
...so much horrific as possessed of 'majesty and bearing', as though to echo Milton's poignant lines: his form had not yet lost All her original brightness, nor appeared Less than archangel ruined. Choosing to paint a scene inspired by 77ic 'Ieinpesi was virtually a whim, compared with the rooted,...
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Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama

Matthew S. Buckley, Professor Matthew S Buckley - 2006 - Страниц: 191
...facsimile edition (Oxford: Woodstock, 1991). 23. Roe (207) offers in support Milton's portrait of Satan: above the rest In shape and gesture proudly eminent...yet lost All her original brightness, nor appeared I .ess than archangel ruined, and the excess Of glory obscured . . . 24. See I..iii, Casca's midnight...
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