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" Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music,... "
Shakespeare and the Human Mystery - Стр. 8
авторы: J. Philip Newell - 2003 - Страниц: 134
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - Страниц: 313
...how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you 380 would pluck out the heart of my mystery, you would...sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it [speak. 'Sblood,]...
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Des Jungen Kreislers Schatzkästlein

Carl Krebs, Johannes Brahms - 2003 - Страниц: 371
...the skill. Hamlet: Why, look you know, how unworthy a thing you make of me. You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from the lowest note to the top of my compass; and there is much music, excellent voice, in this little...
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Performance: pt. 1. Identity and the self

Philip Auslander - 2003 - Страниц: 480
...he's not all there, spread out on the surface, like a modernist painting. ("You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery," complains Hamlet to Rosencrantz and Guildenstern.) By contrast, Frank Stella affirmed his own commitment...
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The Shakespeare Enigma

Peter Dawkins - 2004 - Страниц: 477
...Guildenstern: Ham. Why, look you now, how unworthy a thing you make of me. You would play upon me, you would seem to know my stops, you would pluck out...sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood,...
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Shakespeare and Language

Catherine M. S. Alexander - 2004 - Страниц: 294
...phallic pipe or recorder of which he accuses Rosencrant2 and Guildenstern: You would play upon me, you would seem to know my stops, you would pluck out...sound me from my lowest note to the top of my compass; and there is much music, excellent voice in this lirtle organ, yet cannot you make it speak, 'Sblood,...
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The Anatomy of Madness: Essays in the History of Psychiatry, Том 1

William F. Bynum, Roy Porter, Michael Shepherd - 2004 - Страниц: 336
...not the skill. Hamlet: Why look you now, how unworthy a thing you make of me: you would play upon me; you would seem to know my stops: you would pluck out...me from my lowest note, to the top of my compass: and there is much music, excellent voice, in this little organ, yet cannot you make it speak. Why do...
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The Construction of Tragedy: Hubris

Mary Anneeta Mann - 2004 - Страниц: 228
...concerning the duplicity of their method: How unworthy a thing you make of me! you would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; . . . and there is much music, excellent voice in this little organ, yet cannot you make it speak....
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Shakespeare and Marx

Gabriel Egan - 2004 - Страниц: 176
.../ To sound what stop she please' (3.2.68-9), a metaphor that recurs in his outburst to Guildenstern 'do you think I am easier to be played on than a pipe?' (3.2.357—8). Yet he is mightily impressed with the effect of a performance upon the performer: Is...
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The Great Comedies and Tragedies

William Shakespeare - 2005 - Страниц: 896
...not the skill. HAMLET Why, look you now, how unworthy a thing you make of me! You would play upon me, you would seem to know my stops, you would pluck out...sound me from my lowest note to the top of my compass - and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood,...
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Music in Shakespearean Tragedy

Frederick William Sternfeld - 2005 - Страниц: 334
...not the skill. Hamlet. Why look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out...sound me from my lowest note to the top of my compass; and there is much music, 1 This stage direction is taken from Q2. The F text reads: 'Enter one with...
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