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" The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty, That had their haunts in dale or piny mountain, Or forest, by slow stream or pebbly spring, Or chasms, and watery depths ; all these... "
The Edinburgh Literary Journal: Or, Weekly Register of Criticism and Belles ... - Стр. 326
1831
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The Critical and Miscellaneous Writings of Sir Edward Lytton, Том 1

Edward Bulwer Lytton Baron Lytton - 1841 - Страниц: 370
...'mong fays, and talismans, And spirits ; and delightedly believes Divinities, being itself divine. The intelligible forms of ancient poets, The fair...religion, The power, the beauty, and the majesty. It follows not, therefore, that the religious poet has most strongly within him the governing source...
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The Waverley Novels: With the Author's Last Corrections and Additions, Том 1

Walter Scott - 1841 - Страниц: 710
...and delightedly believee Divinitie*. being himself divine. The intelligible form« of ancient poetfl, The fair humanities of old religion. The power, the beauty, and the mnjegty, 'I'll.-'! had their haurtt* in dale, or piny mountain!, Or forest, by »low stream or ttebbly...
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The London University Magazine, Том 1

1842 - Страниц: 416
...false ; for how is it that we love to revel in the images of the past ? to call up and linger amongst " The intelligible forms of ancient poets, The fair...forest by slow stream, or pebbly spring, Or chasms, and wat'ry depths" ? Imagination fading, old and past is memory. " So that imagination " and memory arc...
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Thoughts on Moral and Spiritual Culture

Robert Cassie Waterston - 1842 - Страниц: 338
...mind with sacred awe ? Like the shadows that rested under primeval forests they have passed away. " The intelligible forms of ancient poets, The fair...forest by slow stream, or pebbly spring, Or chasms and wat'ry depths : — all these have vanish'd !" Vanished! — and we would not, if we could, recall...
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Journal of a Visitation to the Provinces of Travancore and Tinnevelly: In ...

George Trevor Spencer - 1842 - Страниц: 286
...— might have ascribed to it its nymphs and dryads, — The intelligible forms of ancient poetry, The fair humanities of old religion. The power, the...stream, or pebbly spring, Or chasms and watery depths. I have been a lover and seeker out of trees all my life, and never have I seen one more majestic. This...
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A History of Japan to 1334, Том 1

Sir George Bailey Sansom - 1958 - Страниц: 532
...feeling of loss is beautifully described in the well-known lines from Coleridge (adapting Schiller): The intelligible forms of ancient poets, The fair...Or forest by slow stream or pebbly spring Or chasms or watery depths. All these have vanished, They live no longer in the faith of reason But still the...
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The Visionary Company: A Reading of English Romantic Poetry

Harold Bloom - 1971 - Страниц: 516
...on the relevance of the imagination's instinctual thrust toward making natural forms intelligible: The intelligible forms of ancient poets, The fair...forest by slow stream, or pebbly spring, Or chasms and wat'ry depths: all these have vanished. They live no longer in the faith of reason! But still the heart...
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The Mirror and the Lamp: Romantic Theory and the Critical Tradition

Meyer Howard Abrams - 1971 - Страниц: 420
...himself. This is the theme of Coleridge's expanded translation of a passage in Schiller's Die Piccolomini: The intelligible forms of ancient poets, The fair humanities of old religion . . . ... all these have vanished. They live no longer in the faith of reason! But still the heart...
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The Rise of Modern Mythology, 1680-1860

Burton Feldman, Robert D. Richardson - 2000 - Страниц: 596
...expressed in the well-known lines of Coleridge, in "The Piccolomini," Act ii Scene 4. The intelligihle forms of ancient poets, The fair humanities of old...their haunts in dale or piny mountain, Or forest, hy slow stream, or pehhly spring. Or chasms and watery depths; all these have vanished; They live no...
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Yeats the European

Alexander Norman Jeffares - 1989 - Страниц: 396
...PiccoIomini, translated by Coleridge, which can serve as a foundation for Yeats's own use of myth: The intelligible forms of ancient poets, The fair...forest by slow stream, or pebbly spring, Or chasms and wat'ry depths; all these have vanished; They live no longer in the faith of reason! But still the heart...
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