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" The sense of space, and in the end, the sense "> of time, were both powerfully affected. Buildings, landscapes, &c. were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled, and was amplified to an extent of unutterable... "
The Student: a magazine of theology, literature, and science - Стр. 120
1844
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A Book of English Literature, Том 2

Franklyn Bliss Snyder, Robert Grant Martin - 1916
...at last to utter darkness, as of some suicidal despondency, cannot be approached by words. [540 3. The sense of space, and, in the end, the sense of...were both powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled,...
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English Prose and Poetry (1137-1892)

John Matthews Manly - 1916 - Страниц: 792
...amounting at last to utter darkness, as of some suicidal despondency, cannot be approached by words. III. lation of the day. And to the end that their virtue...discretion may not be short, tran-' sient, intermit etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled,...
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The Fabric of Dreams: Dream Lore and Dream Interpretation, Ancient and Modern

Katherine Taylor Craig - 1918 - Страниц: 380
...Quincey, "and in the end, the sense of time, were powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fit to receive. Space swelled and was amplified to an extent of unutterable infinity. This, however,...
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The Fabric of Dreams: Dream Lore and Dream Interpretation, Ancient and Modern

Katherine Taylor Craig - 1918 - Страниц: 380
...Quincey, "and in the end, the sense of time, were powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fit to receive. Space swelled and was amplified to an extent of unutterable infinity. This, however,...
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The Edinburgh Review, Том 232

1920
...in space and time. The consumption of opium has a similar effect, as described by de Quincey : — ' The sense of space, and in the end the sense of time,...were both powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled,...
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The Journal of Mental Science, Том 36

1890
...described with unrivalled graphic power in the pages of De Quincy. " The sense of space," he says, " and in the end the sense of time, were both powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled,...
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Romanticism and Postmodernism

Edward Larrissy - 1999 - Страниц: 238
...Romantic imagination. Opium takes the dreamer beyond temporal and spatial limits so that, for De Quincey, 'space swelled, and was amplified to an extent of...unutterable infinity. This, however, did not disturb me as much as the vast expansion of time.'35 Opium allows the 'fantastic imagery of the brain' to conjure...
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The Crowd: British Literature and Public Politics

John Plotz - 2000 - Страниц: 275
...between the waking and the dreaming states" (67); then "deep-seated anxiety and gloomy melancholy"; then the "sense of space, and in the end, the sense of time, were both powerfully affected"; and fourth, the "minutest incidents of childhood, or forgotten scenes of later years, were often revived"...
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Baudelaire's World

Professor in the Department of French and Italian Rosemary Lloyd, Rosemary Lloyd - 2002 - Страниц: 248
...to De Quincey, whose work he discovered in the late 1850s. "The sense of space," writes De Quincey, "and in the end, the sense of time, were both powerfully affected. Buildings, landscapes, etc. were exhibited in proportions so vast as the bodily eye is not fitted to receive. Space swelled,...
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Gehäuse der Mnemosyne: Architektur als Schriftform der Erinnerung

Harald Tausch - 2003 - Страниц: 336
...unter Umständen völlig unabhängig von den konkreten Vorgaben der Baukunst und Stadttopographie: »The sense of space, and in the end the sense of...were both powerfully affected. Buildings, landscapes, etc., were exhibited in proportions so vast as the bodily eye is not fitted to receive.«50 Und zuvor...
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