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Книги Книги 11 - 20 из 21 по запросу He will permit the lower painter, like the florist or collector of shells, to exhibit....
" He will permit the lower painter, like the florist or collector of shells, to exhibit the minute discriminations, which distinguish one object of the same species from another ; while he, like the philosopher, will consider nature in the abstract, and... "
The Works of Sir Joshua Reynolds, Knight ; Late President of the Royal ... - Стр. 70
авторы: Sir Joshua Reynolds, Edmond Malone, Thomas Gray - 1801
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A Theory of Fine Art

Joseph Torrey - 1874 - Страниц: 290
...warm the heart of the spectator." Again, he says, " If deceiving the eye were the only business of art, there is no doubt, indeed, but the minute painter...mind, which the painter of genius desires to address." 1 1 Discourse iii. But, at the same time, it is absolutely necessary in a true work of art, that it...
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The Reformed Quarterly Review, Том 28

1881
...distinguish one object of the same species from another ; while he, like the philosopher, will consider nature in the abstract, and represent in every one of his figures the character of its species." * He assigns as a reason for this the fact that " the fine arts, in their highest province, are not...
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Into the Light of Things: The Art of the Commonplace from Wordsworth to John ...

George J. Leonard - 1995 - Страниц: 250
...The istoria art defenders certainly had no interest in such "progress." They warned, like Reynolds, "it is not the eye, it is the mind, which the painter of genius desires to address."7 Delia pittura was, as Alberti claims, the first treatise of its kind on painting since the...
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America's Old Masters

James Thomas Flexner - 1967 - Страниц: 365
...intellectual? The painter of the grand style, according to Reynolds, "like the philosopher, will consider nature in the abstract, and represent in every one of his figures the character of the species. . . . It is not the eye, it is the mind which the painter of genius desires to address."...
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The Political Theory of Painting from Reynolds to Hazlitt: The Body of the ...

John Barrell - 1995 - Страниц: 366
...of such a painter in the great or grand style, to display the ideal as the pattern of the genus, to 'represent in every one of his figures the character of its species' (50) , so as to enable us to recognise our true and universal human nature, was not new to Reynolds....
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Violence, Identity, and Self-determination

Hent de Vries - 1997 - Страниц: 401
...to generalize; the artist will eschew minute discriminations and "like the philosopher will consider nature in the abstract, and represent in every one of his figures the character of its species."55 He will thus idealize his figures, and avoid "peculiar marks" in his own style.56 Diderot...
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Drawn from Life: Science and Art in the Portrayal of the New World

Victoria Dickenson - 1998 - Страниц: 320
...distinguish one object of the same species from another; while he, like the philosopher, will consider nature in the abstract, and represent in every one of his figures the character of its species.'" Twelve years later, when Edwards has published Gleanings and Pennant has issued the first edition of...
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Encyclopedia of the Romantic Era, 1760-1850, Том 2

Christopher John Murray - 2004 - Страниц: 1277
...explains the "grand style," instructing artists in Discourse 3 RICHTER, ADRIAN LUDW1G 945 (1770) that "it is not the eye, it is the mind which the painter of genius desires to address." Poetry and imagination, which are explored at length in Discourse 13 (1786), are the keys to the creation...
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Art of the Everyday: Dutch Painting and the Realist Novel

Ruth Bernard Yeazell - 2008 - Страниц: 252
...the Dutch and Flemish were famous paradoxically confirmed their interior status. The principle that "it is not the eye, it is the mind, which the painter of genius desires to address" meant that color was classed among the "merely ornamental" aspects of painting, its sensuous appeal...
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Stil, Stilbruch, Tabu: Stilerfahrung nach der Rhetorik : eine Bilanz

Matthias Rothe - 2008 - Страниц: 283
...Umgang mit der skizzenhaften, vagen Malweise in unserer Versuchsanordnung Reynolds versus Gainsborough: „(I)t is not the eye, it is the mind, which the painter of genius desires to address" so Reynolds (1997, 39-55) im dritten Diskurs am 14. Dezember 1770. Dort, wo der Diskurs endet und das...
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