Ulysses' Log. Feigned Courage - Miss Lamb. Beauty - Gay. The Pleasures of Memory - Rogers. Ambition - Byron. Defi. ance - Young. Affectionate Remembrance — Wordsworth, ... 160 35 Hymn, .................ADDISON,...... 105 36. Graves of a Household, ......... HEMANS, ...... 105 Happiness - keble, Friendship – Wordsworth. Comfort in Adver. sity – Southey. Futurity – Dryden. Short-sightedness – Trench, Independence – Thomson. The Moral Law – Wordsworth. The Ruined City, . . . . . . . . . . . . . . . . . . . . . . . 115 42. The Spring Shower, .....................117 43. Not to Myself Alone, .... . .. ... .. ....... 118 48. A Retrospective Review, .... .... Hoon, .......127 49. Address to the Indolent, .. 53. The Father's Return, ..... 59. The Launch of the Ship, ... .... LONGFELLOW,....143 67. Expression in Reading, ..... .... LLOYD, ....... 155 72. Hymn of the Hebrew Maid,....... Scott, .......164 73. The Brave Man, ............ BURGER, ......165 A Prayer - Thomson. Providence Inscrutable --Addison. Essen- tial Knowledge attainable by All — Wordsworth. Knowledge and Wisdom Cowper. To Duty - Wordsworth. Death of the Young and Fair-Conscientious Discharge of Duty – Bryant. Hope and Gloom - Whittier. Night -- Souhey. Love due to the Creator - Grithn, .. . . . . . . . . . . . . . ... 79. Advance,................ M'Carthy,..... 179 85. First Voyage of Columbus, ........Joanna Baillie, . .191 38. Reciprocal kindness, . . . . . 91. Heroism of Grace Darling, .. 100. To the Flying-fish, ........... Moore, .. . . . 101. The Village Preacher, ... • • • • 106. The Ship, . . . . . . . .. 111. Iymn of the Mountaineers, .. 113. True Courage, .............. BOWRING, . ...212 15. Mary Stuart and her Mourner, ...... Conversation Spoilers,.......... CO WP'ER, ......218 120. SELECT PASSAGES IN VERSE. Trust in God - Young. He lives long who lives well – Rudolph. Retirement -- Goldsmith. The Old Man by the Brook - Würils- with. Freedom -- Bryant. Folly of Procrastination - Practical Charity - Crabbe. The Guilty Conscience – Byron. Prayer — Tennyson. Coronach - Scott, ................2.16 123. The Beautiful, ............. BURRINGTOX, .... 204 12. The Ploughman, ............HOLMES, . . . . . . 203 126. Elegy in a Country Churcb-yard, .....GRAY, .......272 128. Lord Ullin's Daughter, ..... .... CAMPBELL, .....276 133. Excelsior, .............. 134. Apologues in Verse, ........ CONGREVE, FRATZEL, POPE, 206 139. Strong Drink maketh Fools,.. I. Ourong Drink maketn F0019, . . . . . . .HEYWOOD, . . . . . WIE 141. POETRY OF THE SEASONS. Part I. The Tardy Spring – Whittier. The Blue-bird's Song — Stred. Delights of Spring -- Howitt. First Warm Day of Spring - Horace Smith. Welcome to Spring - Simms. The Birds of Spring- Divine Bounty Manifest – Thomson, • .:::........ 297 145. In Rome, ............... ROGERS, .......07 146. SELECT PASSAGES IN VERSE. Pleasures of llope -- Campbell. Fame - Pope. Death - Young, Kosciusko - Campbell. The Captive's Dreams — Hemans. On Ancient Greece - Byron. The Banyan-tree – Moore. Gayety — Cowper, . ... .. .. ... ...............309 156. A Storm on the Mountains, ....... Byron, ......333 157. A Wished-for Retreat, .......... WINCHELSEA, .... 334 158. John Littlejohn, ............ MACKAY,...... 336 159. POETRY OF THE SEASONS. Part II. Sunrise in Summer - Thomson. Welcome of the Birds – Holmes. To the Flowers – Horace Smith. Summer Wind - Bryant, ...337 164. From Milton's “ Paradise Lost,” ............... 348 On the Death of a Friend — Halleck. Woman's Mission — Elliott. The Lee-shore - Hood. The Rhine. — From the German. Beauty and the Dawn --- Arndt, ..................... 358 173. POETRY OF THE SEASONS. PART III. A Beautiful Day in Autumu — Southey. An American Autumnal Scene - November — Bryant. Hope Amid Decay, .......374 175. The Electric Telegraph,...................378 Effects of Oratory on a Multitude - Croly. Soliloquy of Van Artevelde -- Taylor. Innocence — Titus before Jerusalem - Mil- man. The Duke Aranza to Juliana - Tobin, .........383 180. The Colosseum by Moonlight, ....... BYRON, ......388 182. Passages froin Shakspeare ..................391 187. The Passions : an Ode, ......... COLLINS, ...... 402 190. SELECT PASSAGES IN Verse. True Glory – Milton. Consolation for a Friend's Death — Ib. Truth – Cowper. Harmony of Expression - Pope. The Hope of 191. The Hen: a Fable, ........... From The German, . 412 194. To the Sky-lark, ............ SHELLEY,...... 415 195. Ode on Cecilia's Day, .......... DRYDEN, ......416 199. The Treasures by the Wayside, ...... LYTTON, .... 201. The Souls of Books, . . . . . . . . . . 205. POETRY OF THE SEASONS. PART IV. A Winter's Sabbath Scene - Grahame. The Snow-storm – Em- erson. A Welcome to Winter - Thomson. The New Year-Willis, 433 206. Epistle to Arbuthnot, .......... POPE, ....... 435 207. The Chariot Race, ........... SOPHOCLES, . ....436 149. Adam and Orlando, ........... SHAKSPEARE, . ...319 150. Isabella and Angelo, ........... 161. Gil Blas and the Archbishop,....... LE SAGE, ......340 162. The Trade of War,............ SCHILLER, .....343 165. Brutus and Cassius, ........... SRAKSPEARE, ....350 172. From Hamlet, ............. SHAKSPEARE, ... .371 THE FIRST-CLASS STANDARD READER. PART I. PRINCIPLES OF ELOCUTION. GENERAL DIVISION. INFLECTION, PUNCTUATION, ETC., ON READING POETRY. ** The Lessons of this Part contain much that the memory should be repeatedly refreshed with ; and they have been constructed and arranged to serve as Reading Exercises, either after some of the simpler Exercises of Part II., or before, according to the capacity of pupils. INTRODUCTORY REMARKS. 1. The ability to read aloud in an easy and agreeable manner ought to rank first among the physical and intellectual accomplishments of the young. Apart from the service it may enable us to render to others, is the benefit to health which the habit of exercising the voice, under proper restrictions, may afford. “Reading aloud, and recitation,” says Dr. Combe,“ are more useful and invigorating muscular exercises than is generally imagined.” 2. To attain a good elocutionary delivery, the articulation must be firm and complete, the pronunciation correct, the modulation or management of the voice appropriate, and the expression animated and sympathetic. In proportion as these conditions are complied with, the delivery will be distinct, significant, and impressive. Audibleness depends less on & loud voice than on a clear and faithful articulation. 3. It will thus be seen that there are three stages of advancement for the pupil. In the first, his attention is confined to the mechanical effort of uttering letters, syllables and words, with precision and ease ; in the second, which presupposes the first, he utters sentences according to their grammatical significance ; and in the third, which presupposes the first and second, he imparts the highest degree of expression and effect to what he delivers. 4. Orthoëpy, a word derived from the Greek orthon (upright) and èpo (I speak), signifies the right utterance of words. Orthoëpy determines words, and deals with language as it is spoken; orthography determines the correct spelling of words, and deals with language as it is written. Orthography addresses itself to the eye, Orthoëpy to the ear. Orthoëpy includes Articulation. 5. An articulate sound, from articŭlus, a Latin word for joint, is properly a sound which is preceded or followed by the closing of the organs of speech, or bringing some parts of the mouth in contact. A Consonant is, in the strict sense, an Articulation, or an Articulate Sound ; but, in use, the term is extended to Vowel sounds. 6. In anatomy the term articulation signifies the connection of the bones of the skeleton by joints. In Orthoëpy it may signify, in addition to its more extended meaning, the proper connection, in utterance, of the joints or syllables of words. Thus, in the words ap-pe-tite, gov-er-nor, we are directed by Articulation to pronounce every syllable distinctly, instead of fusing the second into the first, and pronouncing the words as if they were written thus : aptite, govnor. Articulation regulates the enunciation of letters also ; thus it directs us to give its proper sound to the h in such words as whale, what, which, shriek, shrunk, shrill, &c., where the sound of the italicized letter is often improperly dropped. 7. “In just articulation,” says Austin,“ the words are not hurriel over, nor melted together ; they are neither abridged nor prolonged ; they are not swallowed, nor are they shot from the mouth ; neither are they trailed, and then suffered to drop unfinished ; but they are delivered from the lips as beautiful coins are issued from the mint, deeply and accurately impressed, neatly struck by the proper organs, distinct, sharp, perfectly finished.” 8. Without a clear and accurate articulation, no person can give proper effect to language in the delivery. Precipitancy in speech, which drops some syllables and pronounces others too faintly, is the most common cause of a defective articulation. It must not, however, be supposed that a proper rapiility of utterance is inconsistent with distinctness. A habit of undue precision and deliberation in enunciating is quite as offensive as the haste which confounds syllables and words. But the extreme of speaking too fast is the more common fault. To pronounce with accuracy and completeness, even though it be slowly, is the first thing to be studied. 9. An indistinct articulation is often the result of mere indolence or inattention. There must be energetic muscular action of the vocal organs, or your utterance will become inanimate and ineffective. A full inhalation of the breath, a vigorous expulsion of it, a steady exercise of the muscles called into play, are all essential to the attainment of a good delivery. 10. In commencing a course of reading exercises, it will be well to revive our recollections of the first principles of elocution. In doing this, we will consider, first, the simple elementary sounds produced for the utterance of the English language. These sounds must be thoroughly understood, and correctly practised, before the complicate sounds flowing from them into speech can be enunciated with ease, propriety, and force. QUESTIONS.-2. What is necessary to a good elocution ? 4. What is the distinction between Orthoepy and Orthography ? 5, 6. What is an Articulate Sound ? Explain the derivation of the word articulate. 8. What is the most common cause of a bad articular tion! 9. Mention another cause. LESSON II. SOUNDS AND LETTERS. 11. The primary division of our articulate sounds is into Vowels and Consonants. The Vowels, that is, the Vowel Letters, are a, e, i, o, u, and sometimes w and y, which last two are called Semi-Vowels or Half-Vowels. A, o, u, and w, represent the broad Vowel Sounds ; e, i, and y, the small Vowel Sounds. 12. The Consonants, that is, the Consonant Letters, are pb, fv, td, kg, sz; h; l, m, n, r;j, c, 9, X, and sometimes w and y. Here we have, first, the representatives of those consonant sounds allied in the manner of formation or utterance, and called Cognate, from two Latin words, con and nascor, signifying related by birth. These sounds are arranged in pairs, because of their relationship. Then we have the Aspirate h, which simply represents a breathing sound, as in hap, hold. Thirdly, we have the Liquids l, m, n, r; and lastly, the double letter j, with the redlundant signs C, 1, and r. 13. There is another classification of Consonants, sometimes adopted. It has reference to the organs by which they are uttered, whether chiefly by the lips, the teeth, or the palate. B, p, f, v, and m, have been called Labials. D, 1, 3, 2, j, and g (this last when equivalent to j), and c when equivalent to s, have been called Dentals. K, S, r, l, and c (this last when equivalent to k), have been called Palatals. Kand g are sometimes called Gutturals, from the Latin worl guttur, the gullet or throat. S and z are also sometimes called Sibilants, from the Latin word sibilans hissing), in consequence of the hissing sound attending their production. M and n are also callel Nusals, from their relations to the nose ; I and T, Linguals, from their relations to the tongue. 14. In Dr. Rush's classification, there are, I. Twelve Tonic sounds, ag represented in the Vowels and Diphthongs of the following words · A-11, z-rt, a-n, a-le, ou-r, i-sle, 0-ld, ee-1, 00-ze, e-rr, e-nd, i-n. These twelve |