Hedy Lamarr: The Most Beautiful Woman in Film

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University Press of Kentucky, 13 авг. 2010 г. - Всего страниц: 312

Hedy Lamarr's life was punctuated by salacious rumors and public scandal, but it was her stunning looks and classic Hollywood glamour that continuously captivated audiences. Born Hedwig Kiesler, she escaped an unhappy marriage with arms dealer Fritz Mandl in Austria to try her luck in Hollywood, where her striking appearance made her a screen legend. Her notorious nude role in the erotic Czech film Ecstasy (1933), as well as her work with Cecil B. DeMille (Samson and Delilah, 1949), Walter Wanger (Algiers, 1938), and studio executive Louis B. Mayer catapulted her alluring and provocative reputation as a high-profile sex symbol. In Hedy Lamarr: The Most Beautiful Woman in Film, Ruth Barton explores the many facets of the screen legend, including her life as an inventor. Working with avant-garde composer and film scorer George Antheil, Lamarr helped to develop and patent spread spectrum technology, which is still used in mobile phone communication. However, despite her screen persona and scientific success, Lamarr's personal life caused quite a scandal. A string of failed marriages, a lawsuit against her publisher regarding her sensational autobiography, and shoplifting charges made her infamous beyond her celebrity. Drawing on extensive research into both the recorded truths of Lamarr's life and the rumors that made her notorious, Barton recognizes Lamarr's contributions to both film and technology while revealing the controversial and conflicted woman underneath. Hedy Lamarr: The Most Beautiful Woman in Film illuminates the life of a classic Hollywood icon.

 

Содержание

Waxworks
1
1 A Childhood in Dobling
9
2 The Most Beautiful Girl in the World
16
3 Ecstacy
29
4 Fritz Mandl
43
5 The Most Beautiful Woman in the World
59
6 To the Casbah
70
7 This Dame Is Exotic
79
13 No Man Leaves Delilah
169
14 Acapulco
176
15 Houston Texas
189
16 A Filthy Nauseating Story
204
17 Final Years
220
Lichtwitz Family Tree
235
Filmography
237
Notes
241

8 The Siren of the Picture Show
100
9 The Rather Unfeminine Occupation of Inventor
113
Loder
126
Loder
140
12 Independence
152
Bibliography
257
Index
269
Photo section
287
Back cover
303
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Об авторе (2010)

Ruth Barton is lecturer in Film Studies at Trinity College Dublin. She has written several books on Irish cinema, including Jim Sheridan: Framing the Nation (Liffey), Irish National Cinema (Routledge) and Acting Irish in Hollywood (Irish Academic Press). She is a regular contributor to arts programs on national radio and is an occasional book reviewer for the Irish Times.

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