Postdramatic TheatreRoutledge, 27 сент. 2006 г. - Всего страниц: 224 Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape. |
Содержание
Prologue 16 | |
Drama 29 | |
Prehistories 46 | |
A short look back at the historical avantgardes 57 | |
Landscape Play 62 | |
Panorama of postdramatic theatre 68 | |
Parataxisnonhierarchy 86 | |
Scenic essay 112 | |
Cool Fun 118 | |
Theatre solos monologies 125 | |
Theatre of heterogeneity 132 | |
Selftransformation 137 | |
text space time body media 145 | |
Epilogue 175 | |
Notes 188 | |
Scenography visual dramaturgy 93 | |
Irruption of the real 99 | |
An evening with Jan and his friends 107 | |
Bibliography 200 | |
Index 208 | |