Thoughts speculative their unsure hopes relate ; [Exeunt, marching. SCENE V. Dunsinane. Within the Castle. Enter, with Drums and Colours, MACBETH, SEYTON, and Soldiers. MACB. Hang out our banners on the outward walls; The cry is still, They come : Our castle's strength Will laugh a siege to scorn: here let them lie, Till famine, and the ague, eat them up: Were they not forc'd with those that should be ours, Siward, having undertaken the cause of Scotland, speaks, as a Scotsman would have spoken; and especially as he is now in the presence of Malcolm, Macduff, and others of the same country. STEEVENS. 2 - arbitrate :] i. e. determine. JOHNSON. So, in the 18th Odyssey, translated by Chapman : 66 straight "Can arbitrate a war of deadliest weight." STEEVENS. 3 Towards which, advance the war.] It has been understood that local rhymes were introduced in plays to afford an actor the advantage of a more pointed exit, or to close a scene with additional force. Yet, whatever might be Shakspeare's motive for continuing such a practice, it may be observed that he often seems immediately to repent of it; and, in the tragedy before us, has repeatedly counteracted it by hemistichs which destroy the effect, and consequently defeat the supposed purpose of the antecedent couplets. See the following instances, in addition to that which introduces the present note: Leave all the rest to me. So pr'ythee go with me.. We are yet but young in deed But no more sights, &c.. I think, but dare not speak.. ...... Act I. end of Scene V. Make we our march towards Birnam. Act V.............. Scene II. In Hamlet, &c. we find such hemistichs after the rhymes at the end of Acts, as well as Scenes. STEEVENS. noise ? We might have met them dareful, beard to beard, And beat them backward home. What is that [A cry within, of Women. SEY. It is the cry of women, my good lord. MACB. I have almost forgot the taste of fears: The time has been1, my senses would have cool'd To hear a night-shriek 5; and my fell of hair" The time has been, &c.] May has imitated this passage twice; once in The Heir, and again in The Old Couple. See Dodsley's Collection of Old Plays, vol. viii. p. 150. vol. x. p. 473, edit. 1780. REED. 5 - my senses would have cOOL'D To hear a night-shriek ;] The blood is sometimes said to be chilled; but I do not recollect any other instance in which this phrase is applied to the senses. Perhaps our author wrote'coil'd. My senses would have shrunk back; died within me. So, in the second scene of the present Act: 66 Who then shall blame "His pester'd senses to recoil and start?" MAlone. I retain the old reading. Perhaps, no word so forcible can be placed in its room. Thus, in the fifth Æneid: Sanguis hebet, frigentque effœtæ in corpore vires. The same expression occurs also in The Merry Wives of Windsor : 66 'My humour shall not cool." Again, in King Henry IV. Part II. : 66 My lord Northumberland will soon be cool'd." 66 shall cool the hearts "Of all his people-." Again, in Pope's version of the 18th Odyssey, 156: Again, in Chapman's version of the 22d Iliad: 66 his still desperate spirit is cool'd." But what example is there of the verb recoiled clipped into 'coiled? Coiled can only afford the idea of wound in a ring, like a rope or a serpent. STEEVENS. 6 FELL of hair] My hairy part, my capillitium. Fell is skin. JOHNSON. So, in Alphonsus, Emperor of Germany, by George Chapman, 1654: 66 Where the lyon's hide is thin and scant, "I'll firmly patch it with a fox's fell." Would at a dismal treatise rouse, and stir As life were in't: I have supp'd full with horrors'; Direness, familiar to my slaughterous thoughts, Cannot once start me.-Wherefore was that cry? SEY. The queen, my lord, is dead. MACB. She should have died hereafter; There would have been a time for such a word ". Again, in King Lear: 7 "The goujeres shall devour them, flesh and fell." A dealer in hides is still called a fell-monger. STEEVENS. I have SUPP'D FULL with horrors;] Statius has a similar thought in the second book of his Thebais : attollit membra, toroque Erigitur, plenus monstris, vanumque cruorem Excutiens. The conclusion of this passage may remind the reader of Lady Macbeth's behaviour in her sleep. STEEVENS. 8 She should have died hereafter; There would have been a time for such a word, &c.] This passage has very justly been suspected of being corrupt. It is not apparent for what word there would have been a time, and that there would or would not be a time for any word, seems not a consideration of importance sufficient to transport Macbeth into the following exclamation. I read therefore: "She should have died hereafter, "There would have been a time for-such a world!— "To-morrow," &c. It is a broken speech, in which only part of the thought is expressed, and may be paraphrased thus: "The queen is dead.Macbeth. Her death should have been deferred to some more peaceful hour; had she lived longer, there would at length have been a time for the honours due to her as a queen, and that respect which I owe her for her fidelity and love. Such is the worldsuch is the condition of human life, that we always think tomorrow will be happier than to-day, but to-morrow and to-morrow steals over us unenjoyed and unregarded, and we still linger in the same expectation to the moment appointed for our end. All these days, which have thus passed away, have sent multitudes of fools to the grave, who were engrossed by the same dream of future felicity, and, when life was departing from them, were, like me, reckoning on to-morrow." Such was once my conjecture, but I am now less confident. Macbeth might mean, that there would have been a more convenient time for such a word, for such intelligence, and so fall To-morrow, and to-morrow, and to-morrow, The way to dusty death 2. Out, out, brief candle! into the following reflection. We say we send word when we give intelligence. JOHNSON. By a word, Shakspeare certainly means more than a single Thus, in King Richard II. : one. "The hopeless word of―never to return Again, in The Captain, by Beaumont and Fletcher : A musquet, with this word upon the label "I have discharg'd the office of a soldier." STEEVENS. Word may perhaps be used here in its common acceptation. There would have been a time when I could have better borne the mention of death, when my mind was not so depressed and enfeebled by the approach of danger and the pangs of remorse. BOSWELL. 9 To-morrow, and to-morrow, and to-morrow,] This repetition, as Dr. Farmer observed to me, occurs in Barclay's Ship of Fooles, 1570 : 66 Cras, cras, cras, to-morrow we shall amende." STEEVENS. To the last syllable of RECORDED TIME;] Recorded time seems to signify the time fixed in the decrees of heaven for the period of life. The record of futurity is indeed no accurate expression; but, as we only know transactions past or present, the language of men affords no term for the volumes of prescience in which future events may be supposed to be written. JOHNSON. So, in All's Well That Ends Well: To the utmost syllable of your worthiness." Recorded is probably here used for recording or recordable; one participle for the other, of which there are many instances, both in Shakspeare and other English writers. Virgil uses penetrabile frigus for penetrans frigus, and penetrabile telum for telum penetrans. STEEVENS. By recorded time, Shakspeare means not only the time that has been, but also that which shall be recorded. M. MASON. 2 The way to DUSTY death.] We should read-dusky, as appears from the figurative term lighted. WARBURTON. Dusty is a very natural epithet. The second folio has: "The way to study death-." which Mr. Upton prefers; but it is only an error, by an accidental transposition of the types, JOHNSON. 66 "The dust of death is an expression used in the 22d Psalm. Dusty death" alludes to the expression of " dust to dust "in Life's but a walking shadow; a poor player, Enter a Messenger. Thou com'st to use thy tongue; thy story quickly. MESS. Gracious my lord, I shall report that which I say I saw, But know not how to do't. Масв. Well, say, sir. MESS. As I did stand my watch upon the hill, I look'd toward Birnam, and anon, methought, The wood began to move. Масв. Liar, and slave! [Striking him3. MESS. Let me endure your wrath, if't be not so: Within this three mile may you see it coming; I say, a moving grove. Масв. If thou speak'st false, the burial service; and to the sentence pronounced against Adam: "Dust thou art, and to dust thou shalt return." In Troilus and Cressida also the same epithet occurs: "To dusty nothing-." Shakspeare, however, in the first Act of this play, speaks of the thane of Cawdor, as of one 66 who had been studied in his death." STEEVENS. Dr. Johnson justly observes that dusty is a very natural epithet. Our author again alludes to the dust of death in The Winter's Tale: "Some hangman must put on my shrowd, and lay me "Where no priest shovels-in dust." MALONE. In Sydney's Arcadia, 1598, p. 445, we have the following stanza of a Song on Death: "Our owly eyes, which dimm'd with passions be, BOSWELL. |