Civilizing Rituals: Inside Public Art MuseumsRoutledge, 20 июн. 2005 г. - Всего страниц: 192 Illustrated with over fifty photos, Civilizing Rituals merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry and how it is presented to the community. Carol Duncan looks at how nations, institutions and private individuals present art , and how art museums are shaped by cultural, social and political determinants. Civilizing Rituals is ideal reading for students of art history and museum studies, and professionals in the field will also find much of interest here. |
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... liminal experience had strong affinities to modern western notions of the aesthetic experience - that mode of receptivity thought to be most appropriate before works of art. Turner recognized aspects of liminality in such modern ...
... liminal experience had strong affinities to modern western notions of the aesthetic experience - that mode of receptivity thought to be most appropriate before works of art. Turner recognized aspects of liminality in such modern ...
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... liminal experience — to move beyond the psychic constraints of mundane existence, step out of time, and attain new ... liminality, this notion of the art museum as a performance field has also been discovered independently by museum ...
... liminal experience — to move beyond the psychic constraints of mundane existence, step out of time, and attain new ... liminality, this notion of the art museum as a performance field has also been discovered independently by museum ...
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... liminality, recognizing it as a state of withdrawal from the day-to-day world, a passage into a time or space in which the normal business of life is suspended. In philosophy, liminality became specified as the aesthetic experience, a ...
... liminality, recognizing it as a state of withdrawal from the day-to-day world, a passage into a time or space in which the normal business of life is suspended. In philosophy, liminality became specified as the aesthetic experience, a ...
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Содержание
7 | |
FROM THE PRINCELY GALLERY TO THE PUBLIC ART MUSEUM The Louvre Museum and the National Gallery London | 21 |
PUBLIC SPACES PRIVATE INTERESTS Municipal art museums in New York and Chicago | 48 |
SOMETHING ETERNAL The donor memorial | 72 |
THE MODERN ART MUSEUM Its a mans world | 102 |
CONCLUSION | 133 |
NOTES | 135 |
BIBLIOGRAPHY | 162 |
INDEX | 174 |
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Abstract Abstract Expressionism advertising aesthetic American ancient Arabella Huntington architectural argued aristocratic art collection art gallery Art Institute art-historical artists Boston bourgeois British building chapter Chicago City City Beautiful Movement civic classical collectors critical Cubism decorative display donor memorial Dulwich Picture Gallery educational eighteenth eighteenth-century elite enlightenment especially European example Figure French Frick Collection Germain Bazin Huntington ideal identity images installation J. P. Morgan John kind Kooning Lehman liminal Louvre Museum male mausoleum meaning Mellon Met's Metropolitan Museum millionaires modern art MoMA MoMA's monuments moral Morgan Library Museum of Art Museum of Modern museum rituals museum space narrative National Gallery nineteenth century objects paintings palace Picasso political public art museums public space realm Renaissance ritual scenarios rooms royal sculpture social society spiritual structure symbolic trustees University Press visitors Wallace Collection Washington western Willem de Kooning William wing women York