Controversy in Literature: Fiction, Drama, and Poetry, with Related CriticismMorris Freedman, Paul Benjamin Davis Scribner, 1968 - Всего страниц: 750 |
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Стр. 132
... fear that has gripped him ( " What did he fear ? It was not fear or dread . It was a nothing that he knew too well " ) , the language is such that no simple logical reduction is possible . The passage is really a dialectic of ...
... fear that has gripped him ( " What did he fear ? It was not fear or dread . It was a nothing that he knew too well " ) , the language is such that no simple logical reduction is possible . The passage is really a dialectic of ...
Стр. 134
... fear or dread which the older waiter feels is not fear or dread in the usual sense : " What did he fear ? It was not fear or dread . It was a nothing that he knew too well . " This dread comes not from the fear of any particular object ...
... fear or dread which the older waiter feels is not fear or dread in the usual sense : " What did he fear ? It was not fear or dread . It was a nothing that he knew too well . " This dread comes not from the fear of any particular object ...
Стр. 553
... Fear and pity , which Longinus explicitly mentions among passions of a meaner sort , are obviously part of the emotional effect produced by the description of the rape - fear of the enormous bird , pity for the helpless girl . But ...
... Fear and pity , which Longinus explicitly mentions among passions of a meaner sort , are obviously part of the emotional effect produced by the description of the rape - fear of the enormous bird , pity for the helpless girl . But ...
Содержание
The Scope of Swifts Satire | 3 |
Ambiguity and Mystery in Hawthorne | 15 |
NATHANIEL HAWTHORNE | 26 |
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Abraham Absurd ANDERSON answer appear asked ASLAKSEN beauty become believe brother BURGOMASTER called close comes course CREON criticism dead dear death door DUDGEON effect expression eyes face fact faith father fear feeling follow give goes hand happy head hear heard heart hold HOVSTAD human idea interpretation JONATHAN JUDITH keep leave light live look MADAME ROSEPETTLE meaning mind mother move nature never night NUMBER once passed perhaps PETRA play poem poet poetry present question reality RICHARD ROSALIE seems sense soul speak stand STOCKMANN story sure tell Theatre thee thing thou thought town true truth turn understand veil voice waiter walks whole young