The Pantheon: Design, Meaning, and ProgenyHarvard University Press, 2002 - Всего страниц: 160 The Pantheon in Rome is one of the grand architectural statements of all ages. This richly illustrated book isolates the reasons for its extraordinary impact on Western architecture, discussing the Pantheon as a building in its time but also as a building for all time. Mr. MacDonald traces the history of the structure since its completion and examines its progeny--domed rotundas with temple-fronted porches built from the second century to the twentieth--relating them to the original. He analyzes the Pantheon's design and the details of its technology and construction, and explores the meaning of the building on the basis of ancient texts, formal symbolism, and architectural analogy. He sees the immense unobstructed interior, with its disk of light that marks the sun's passage through the day, as an architectural metaphor for the ecumenical pretensions of the Roman Empire. Past discussions of the Pantheon have tended to center on design and structure. These are but the starting point for Mr. MacDonald, who goes on to show why it ranks--along with Cheops's pyramid, the Parthenon, Wren's churches, Mansard's palaces-as an architectural archetype. |
Результаты поиска по книге
Результаты 1 – 5 из 88
Design, Meaning, and Progeny William Lloyd MacDonald. THE PANTHEON DESIGN , MEANING , AND PROGENY WILLIAM L. MACDONALD THE PANTHEON William L. MacDonald THE PANTHEON DESIGN , MEANING. Front Cover.
Design, Meaning, and Progeny William Lloyd MacDonald. THE PANTHEON William L. MacDonald THE PANTHEON DESIGN , MEANING , AND.
Design, Meaning, and Progeny William Lloyd MacDonald. William L. MacDonald THE PANTHEON DESIGN , MEANING , AND PROGENY With a New Foreword by John Pinto SANCTIS AVS HARVARD UNIVERSITY PRESS CAMBRIDGE , MASSACHUSETTS LONDON , ENGLAND IVS IN ...
... Pantheon continues to engage a wide audience ranging from beginning students to archaeologists , classicists , architects , and historians of art . When the book appeared , Roman architecture was still regarded by many as derivative and ...
... Pantheon , to which he conjectured Agrippa had later added the existing portico . Some of these perceived problems , such as the double pediment , prompted more creative responses . Andrea Palladio accurately recorded this feature in ...
Содержание
IN THE TEMPLE OF THE WHOLE WORLD | 11 |
THE BUILDING PROPER | 27 |
BACKGROUND AND PRINCIPLES OF DESIGN | 44 |
THE PROBLEM OF MEANING | 76 |
THE MOST CELEBRATED EDIFICE | 94 |
135 | |
NOTES | 138 |
LIST OF ILLUSTRATIONS | 147 |
157 | |